刘岘的版画创作研究

发布时间：2018-05-30 18:21

本文选题：刘岘 + 版画　；参考：《中央美术学院》2013年硕士论文

【摘要】：刘岘(1915年—1990年)我国新兴木刻运动的先驱者,杰出的版画家,美术史论家。早年受鲁迅先生指引学习版画,发起组织“未明木刻社”,后留学日本入日本东京帝国美术学院(现武藏野美术学院)。中国“七七事变”之后毅然回国,1939年到延安,1942年参加延安文艺座谈会。在延安期间毛泽东曾亲自题词勉励刘岘“我不懂木刻的道理,但我喜欢看木刻,刘岘同志赴边区时间不久,已有了许多作品,希望继续努力,为创造中华民族的新艺术而奋斗”。解放后一直从事美术事业坚持版画创作。一生共创作版画,插图上千幅。几十年的创作道路正与中国社会命运联系紧密,他一生的作品正是一幅新旧中国变迁的长卷。他始终致力于黑白木口木刻的研究和探索上,尤其吸取了中西方各个国家的木刻大师之长,形成了自己独树一帜的艺术风格,刀法圆润洒脱,刻线细腻富于变化；构图严谨并且具有装饰性的诗意美。首先,本文见对刘岘的各时期作品创作和特点做一个梳理。通过从各个时期的作品的题材、风格、技法的研究,对他技法和创作的意识形态进行分析。本文认为刘岘的版画创作全部都是他发自心灵深处的声音,是他为人民、为自己的呐喊。从师学渊源上曾经受到过日本木刻大师平X\运一和苏联版画家法复尔斯基的指导,他是如何汲取了各家之长而创造了自己具有独特艺术表现力的版画精品。最后,本文对刘岘的版画创作与为中国版画事业尤其木口木刻方面的贡献做出归纳总结。
[Abstract]:Liu Xian (1915-1990) pioneers in the emerging woodcut movement, outstanding printmaker, art historian. In his early years, he was guided by Mr. Lu Xun to study printmaking, and started to organize the "Muming Wood carving Society," and then studied in Japan to study at the Imperial Academy of Fine Arts in Tokyo, Japan (Motohito Academy of Fine Arts). China returned to China after the July 7th incident, from 1939 to Yan'an, in 1942 to participate in the Yan'an Literature and Art Symposium. During his stay in Yan'an, Mao Zedong personally exhorted Liu Xian, "I do not understand the truth of wood carving, but I like to read wood carvings. Comrade Liu Xian has many works in the border area not long after his visit, and he hopes to continue his efforts." To create a new art of the Chinese nation and struggle. After liberation has been engaged in the art industry adhere to print creation. Life a total of printmaking, thousands of illustrations. The road of creation for decades is closely related to the fate of Chinese society. His works in his life are just a long scroll of the changes of old and new China. He has always devoted himself to the research and exploration of black-and-white woodcut, especially drawing on the master of woodcut from China and Western countries, forming his own unique artistic style, with a smooth and free knife, with fine lines and rich changes; Rigorous composition and decorative poetic beauty. First of all, this article see Liu Xian's works in various periods to do a combing and characteristics. Through the study of the theme, style and technique of his works in various periods, the author analyzes his techniques and ideology. This article thinks that Liu Xian's printmaking is all his voice from the bottom of his heart, is his cry for the people and his own. He was once guided by Japanese woodcut master Hirax and Soviet printmaker Fawersky how to draw on the advantages and create his own unique artistic expression of printmaking works. Finally, this paper summarizes Liu Xian's printmaking and his contribution to Chinese printmaking, especially woodcut.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J217

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