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李可染人物画的审美趣味及现实意义研究

发布时间:2018-05-30 21:12

  本文选题:李可染 + 人物画 ; 参考:《杭州师范大学》2013年硕士论文


【摘要】:二十世纪的中国正处于动荡不安,社会变革的历史时期,同样也是东西方文化激烈碰撞并试图融合的时期,面对社会变革和不同文化的入侵,中国画尤其是人物画的发展遭到了巨大打击,但即使在这样的大环境下,李可染先生仍成功走出一条适合现代东方表现性的写意艺术之路。 当今社会,人物画发展也面临着同二十世纪相似的问题,本课题想通过对人物画史上取得很大成功的李可染个案分析,并结合现代各种“写实的”、“写意的”人物画现状,从他独特的审美趣味性入手,探索李可染在传承和创新上取得成功的秘诀,并以此学习和借鉴,在李可染身上得到一些启示,这也是我写这篇文章的初衷。 从结构上看,本文主要分为六个部分:第一部分是对本课题的研究背景和意义,国内外研究现状及研究方法、技术路线进行简单的陈述;第二部分介绍了李可染人物画的几种类型和不同时期的艺术风貌;第三部分分析影响李可染人物画艺术特色的成因,先从三个方面(“意”、“形”、“意形转换”)上总结出其艺术特色,在从取法来源(师“西方”、师“传统”、师“造化”)和审美来源上阐述影响其艺术特色形成的原因;第四章是同傅抱石人物画在笔墨和造型上进行对比,得出李可染人物画独特的审美趣味;第五章也是本文的重点章节,通过对李可染人物画上遇到并解决的问题分析,阐述其在传承与创新上的现实意义以及值得我们学习和借鉴的经验;第六章是结语部分。
[Abstract]:In the 20th century, China is in a period of turbulence and social change. It is also a period of intense collision and integration of eastern and western cultures, facing social changes and the invasion of different cultures. The development of Chinese painting, especially figure painting, has been hit hard, but even in such a big environment, Mr. Li Keran still successfully walked a road of freehand brushwork suitable for modern oriental expressiveness. In today's society, the development of figure painting is also faced with similar problems as in the 20th century. This subject wants to analyze the Li Keran case, which has achieved great success in the history of figure painting, and combine with various modern "realistic" and "freehand" figures. Starting from his unique aesthetic interest, this paper explores the secret of Li Keran's success in inheritance and innovation, and learns from it and gets some enlightenment from Li Keran, which is the original intention of my writing this article. From the structure point of view, this paper is divided into six parts: the first part is the research background and significance of this topic, domestic and foreign research status and research methods, technical route for a simple statement; The second part introduces several types of Li Keran figure painting and the artistic features of different periods, the third part analyzes the causes of influencing the artistic characteristics of Li Keran figure painting, first from three aspects ("meaning", "form"), It summarizes its artistic characteristics from the sources of "western", "tradition" and "creation", and expounds the reasons that affect the formation of its artistic characteristics. The fourth chapter is compared with the Fu Baoshi figure painting in the pen and ink and the modelling, obtains the Li Keran figure painting unique esthetic interest; the fifth chapter also is this article key chapter, through to the Li Keran figure painting meets and solves the question analysis, It expounds its realistic significance in inheritance and innovation and the experience that we should learn and learn from. Chapter six is the conclusion part.
【学位授予单位】:杭州师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前6条

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