抗战桂林文化城木刻版画研究

发布时间：2018-05-31 01:46

本文选题：桂林 + 抗战时期　；参考：《广西师范大学》2014年硕士论文

【摘要】：中国的木刻版画有着悠久的传统,早期的木刻版画大都在章回小说中起到插图的作用。而鲁迅先生于20世纪30年代发起的新兴木刻版画运动使这一传统木刻版画焕发了新的生命力,木刻版画选题关注社会现实问题、创作技法通俗易懂和艺术感染力着眼于广大群众。中国木刻版画在抗日战争中的宣传和鼓舞作用是十分显著的,不论是解放区、国统区还是沦陷区,木刻工作者创作的木刻版画都在宣传抗日和唤起民众上起到了十分重要的作用。在鲁迅先生的积极倡导下,中国的新兴木刻运动快速发展壮大。而当时的桂林,是国统区的文化重镇,以西南文化名城而享誉国内外,作为国统区的文化中心区域,它的文化背景和历史背景都很特殊。桂林的抗战木刻在我国现代艺术史上是非常重要的一环,有着不可磨灭的历史功绩和非凡的艺术研究价值。桂林抗战木刻不仅是桂林抗战文化研究的重要内容,也是广西抗战文化研究的重要内容,在推进桂林和广西甚至全国的抗战中都起着积极的作用。对桂林抗战木刻版画的钻研,不能仅仅停留在对一些特定活动或具体问题的考察,也不能局限于简单的复制和还原历史现象,而应当深思在那个烽火连天的时代激励着中华民族万众一心抵抗帝国主义侵略的抗战文化中所蕴含的伟大民族精神和时代精神。正是出于这一动机,本文力图在对桂林抗战木刻全景式考察的基础上,以桂林抗战木刻发展的特点为切入点,对桂林抗战木刻版画所包含的精神进行深入挖掘和提炼。本论文坚持唯物主义的观点和实事求是的态度,在前人研究的基础上,主要运用文献研究法和考察调研法这两种研究方法通过对相关史料的挖掘,文史馆的调研考察以及对相关文化名人的采访,收集了大量错综复杂的与抗战时期桂林木刻版画相关的文史资料和-些罕见的书面资料。认真进行整理、分析和归纳,通过梳理抗战时期桂林木刻版画产生的时代历史背景以及发展的概况,在归纳桂林木刻版画的艺术特征以及它与延安和重庆木刻版画的联系和区别的基础上,进一步分析桂林木刻版画在当时的影响和它的历史意义。全文共分为四个部分：第一部分,主要介绍抗战时期桂林木刻版画繁盛的条件及发展概况。文章从木刻版画的发展脉络开始阐述,分析了抗战时期桂林优越的地理位置、国民党当时在桂林的基本文化政策、抗战时期桂林的政治环境,最后总结抗战时期桂林抗战木刻的发展概况。第二部分,主要介绍抗战时期桂林木刻版画的艺术特征。当时在桂林的著名木刻家有很多,如李桦、黄新波、赖少其、龙廷坝、陈更新、易琼等等,通过对当时在桂林木刻家们的作品的分析和解读,来阐述桂林木刻版画的艺术特征,并深入挖掘这些作品的深刻内涵。第三部分,主要介绍桂林木刻版画与延安、重庆抗战木刻版画的联系与区别。通过对木刻版画当时在桂林、延安、重庆这三个地方兴起的背景,表现题材、艺术手法等几个方面全面阐述他们的联系与区别。第四部分,主要介绍木刻版画在当时的影响以及历史意义。对全文进行总结,突出主旨。
[Abstract]:The woodcut prints in China have a long tradition, and most of the early woodcut prints play a role in illustrations. The new woodcut print movement launched by Mr. Lu Xun in 1930s makes this traditional woodcut print radiating new vitality. The selection of woodcut prints is related to social reality, and the creative techniques are easy to understand and are easy to understand and understand. The artistic appeal is focused on the masses. The propaganda and inspiring role of Chinese woodcut print in the war of resistance against Japan is very significant. Whether it is in Jiefang District, the Kuomintang or the occupied areas, woodcut prints created by woodcut workers have played an important role in propaganda and evoking of the people.
Under the active advocacy of Mr. Lu Xun, the new woodcut movement in China has developed rapidly. At that time, Guilin was the Cultural heavy town in the Kuomintang region. It was famous both at home and abroad in the southwest culture city. As the cultural center area of the Kuomintang region, its cultural background and historical background were very special. The Guilin's anti war woodcut was in the history of modern art in China. It is a very important link, with an indelible historical merit and extraordinary artistic value. Guilin Anti Japanese woodcut is not only an important content of the study of the Anti Japanese War Culture of Guilin, but also an important part of the study of the Anti Japanese War Culture in Guangxi. It plays a positive role in promoting the Anti Japanese war in Guilin and Guangxi even in the country. The study of painting can not only stay in the investigation of some specific activities or specific problems, but also can not be limited to the simple reproduction and reduction of historical phenomena, but we should think deeply about the great national spirit and time essence contained in the Anti Japanese war which inspired the Chinese nation to resist imperialist aggression. Because of this motive, this article tries to dig and extract the spirit of the Guilin engraving in the woodcut of the Anti Japanese war on the basis of the panoramic investigation of the woodcut of the Anti Japanese war on the Guilin and the characteristics of the development of the Guilin Anti Japanese woodcut.
On the basis of the predecessors' research, this paper, based on the previous research, mainly uses the two methods of literature research and investigation and investigation. Through the excavation of relevant historical materials, the investigation and investigation of the Museum of literature and history, and the interviews with related cultural celebrities, a large number of complex and anti Japanese War Guilin have been collected. The literature and history of woodcut prints and rare written materials are carefully arranged, analyzed and summed up, through combing the historical background and development of the woodcut prints of Guilin during the Anti Japanese War, summarizing the artistic features of Guilin woodcut engraving and the connection and difference between the woodcut and Yanan woodcut prints. To further analyze the influence and historical significance of Guilin woodcut prints at that time.
The full text is divided into four parts:
The first part introduces the conditions and development of the woodcut prints of Guilin in the period of the Anti Japanese war. The article begins with the development of the woodcut prints, analyzes the geographical position of Guilin in the period of the Anti Japanese War, the basic cultural policy of the Kuomintang at the time in Guilin, the political environment of the Japan during the war of resistance against Japan, and finally summed up the anti war Anti Japanese war. A general survey of the development of war wood engraving.
The second part mainly introduces the artistic features of the woodcut woodcut of the Guilin during the Anti Japanese war. There were many famous woodcarver in Guilin, such as Li Hua, Huang Xinbo, Lai Shaoji, dragon dam, Chen renewal, and Yi Qiong. Through the analysis and reconciliation of the works of the Guilin woodcarver at that time, the artistic features of the woodcut prints of the Guilin were expounded and excavated in depth. The profound connotation of these works.
The third part mainly introduces the connection and difference between the woodcut prints of Guilin and Yanan and Chongqing Anti Japanese woodcut engraving. By the background of the rise of the woodcut engraving in Guilin, Yanan and Chongqing at that time, the themes and the artistic techniques of the woodcut are fully expounded and the differences between them.
The fourth part mainly introduces the influence and historical significance of woodcut prints at that time.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

【参考文献】