论陶瓷绘画创作的审美与观念

发布时间：2018-05-31 02:39

本文选题：陶瓷绘画 + 审美观念　；参考：《景德镇陶瓷学院》2014年硕士论文

【摘要】：中国最早的绘画来自于原始彩陶，并对日后绘画的生成与发展产生深远的影响，而绘画从古至今皆对陶瓷绘画的发展同样有着不可磨灭的作用及积极影响。二者相互贯通融为一体。从磁州窑白底黑花的绘画技法到元青花的线条与分水，再到晚清浅降彩秉承董其昌的文人精神的空谷幽兰。无不显示着陶瓷绘画与绘画同源同宗的审美趣味。上世纪初东西方文化相互交融与碰撞，，而传统的陶瓷绘画已经不能满足当今社会审美的需求。况且在绘画艺术领域如此复杂混乱的今日，创作人的审美观念与意识则成为最为值得探讨与深思的中心源。本文将通过整理概括陶瓷绘画在各个时期的典型特点以及影响其特点发展的时代背景及审美观念。从美学、社会学的角度和影响创作人在各个时期审美观念变化方面，来论证创作人在中国陶瓷绘画中的审美意识与观念紧随当今社会与人文情怀的重要性。在时间与空间上对照中国绘画（包括中国画与油画）的审美意识与现代陶艺的发展进行研究。论证当今陶瓷绘画创作以及发展的当代性与前进性的必要性，积极探讨中国陶瓷艺术的发展与继承。
[Abstract]:The earliest painting in China came from the original painted pottery and had a profound influence on the generation and development of painting in the future. Painting has also played an indelible role and positive influence on the development of ceramic painting from ancient to present. The two are intertwined into one another. From the painting techniques of white and black flowers in Cizhou Kiln to the lines and water distribution of blue and white flowers in Yuan Dynasty, to the hollow valley orchid of the literati spirit of Dong Qichang in the late Qing Dynasty. All show the same aesthetic taste of ceramic painting and painting. At the beginning of last century, the eastern and western cultures blended and collided with each other, but the traditional ceramic painting could not meet the needs of social aesthetics. Moreover, in the field of painting art such a complex and chaotic today, the creative people's aesthetic concept and consciousness is the most worthy of discussion and reflection of the central source. This paper will summarize the typical characteristics of ceramic painting in each period and the background and aesthetic concepts that affect the development of its characteristics. From the point of view of aesthetics, sociology and influence on the changes of aesthetic concepts of creators in various periods, this paper demonstrates the importance of creators' aesthetic consciousness and concept in Chinese ceramic painting following the current social and humanistic feelings. This paper studies the aesthetic consciousness of Chinese painting (including Chinese painting and oil painting) and the development of modern ceramic art in time and space. This paper demonstrates the necessity of contemporary and progressive development of ceramic painting, and probes into the development and inheritance of Chinese ceramic art.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J527;J205

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