现场写生油画创作方式研究

发布时间：2018-05-31 13:38

本文选题：现场写生 + 油画创作　；参考：《西南交通大学》2014年硕士论文

【摘要】：写生作为传统油画创作方式一直贯穿于整个西方传统绘画发展中并为艺术家进行艺术创作所运用,印象主义更是把这一写生油画创作方式带到了绘画历史的多产期和高峰阶段,乃至当今仍然为之所用。随着绘画艺术历史的推进与发展,当今油画创作早已不在是单一的现场写生这种传统油画创作方式的模式,而是以多种油画创作方式并存的多元化(多样化)艺术时代。自照相术诞生以后,图像与图片的介入对传统的现场写生油画创作模式有决定性的影响,选择借用照片、图像还是坚持传统的现场写生方式进行自己的油画艺术创作与表达成了当代油画艺术家重要的热题。不难发现当今仍有一些坚持传统的现场写生方式进行油画艺术创作的案例并获得很大反响。本文通过具体讲述著有“外光画派”名称的印象主义画派、英国当代人体油画家卢西安·弗洛伊德和中国当代著名艺术家刘小东等具象风格作品,都是通过现场写生油画创作方式来进行油画艺术创作的典范、案例,具体了解他们选择现场写生油画创作方式进行油画艺术创作的历史背景和原因,并从中发现这种传统的创作方式的潜在力量和对油画艺术创作的有利因素。通过分析得出这三者所处的绘画艺术历史阶段的不同环境及社会背景决定了他们现场写生进行油画创作的内在差异,这种差异不同直接反应在油画艺术作品的本身——即绘画语言、形式及观念表达上等。艺术家如何使得现场写生直接转化为创作,直接利用现场写生进行自己的油画创作就变得更具有探讨的意义和价值了,如何让油画创作本身与现场写生这种方式相关联,使作品具有自己的文化、生活、劳动及各种与自己血脉相关的气息,在写生现场挖掘出适合自己的绘画语言变得尤为重要。最后结合自己的写生油画创作作品,阐述选择现场写生进行自己油画创作的原因及感受,最后得出在面对形式花样、手法百出的当代油画艺术环境中,放慢脚步,端正心态,秉着一颗对绘画艺术虔诚热爱的心,选择传统的写生油画创作手段去感受生活,寻求绘画艺术最为本真的一面。
[Abstract]:As a traditional way of oil painting creation, sketching has been running through the development of western traditional painting and has been used by artists in artistic creation. Impressionism has brought this method of painting to the period of multiple births and peak periods in the history of painting. It is still used today. With the advancement and development of the history of painting art, oil painting creation is no longer a single mode of traditional oil painting creation, but a pluralistic (diversified) art era in which a variety of oil painting creation methods coexist. Since the birth of photography, the involvement of images and pictures has a decisive impact on the traditional mode of oil painting on the spot, choosing to borrow photos. It is an important hot topic for contemporary oil painting artists to create and express their own oil painting art by sticking to the traditional way of painting on the spot. It is not difficult to find that there are still some cases of oil painting art creation which adhere to the traditional way of live sketching and get a great response. This paper describes concretely the figurative style works of Impressionist painting School with the name of "Outlight painting School", the contemporary British oil painter Lucian Freud and the famous contemporary Chinese artist Liu Xiaodong, etc. They are both examples and cases of oil painting art creation by means of live sketching oil paintings, and understand the historical background and reasons why they chose the on-site oil painting creation method to carry out oil painting art creation. And find out the potential power of this traditional way of creation and the favorable factors for oil painting creation. Through the analysis, it is concluded that the different environments and social background of the three painting art historical stages determine the inherent difference of their oil painting creation on the spot. This difference is directly reflected in the oil painting itself-painting language, form and concept expression. How the artist can directly transform the scene sketch into creation, and make use of the scene sketch to create his own oil painting becomes more meaningful and valuable. How to make the oil painting itself associated with the scene sketch is more meaningful and valuable. In order to make the works have their own culture, life, labor and all kinds of breath related to their own blood, it is particularly important to dig out the appropriate painting language on the scene of painting. Finally, combined with his painting works, the reasons and feelings of choosing live sketches to create his own oil paintings are expounded. Finally, in the contemporary oil painting art environment with various forms and techniques, the pace is slowed down and the attitude is correct. With a pious love of painting art, choose the traditional means of painting oil painting to feel life, seeking the most authentic side of painting art.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【共引文献】