论孙为民的油画风格

发布时间：2018-05-31 20:58

本文选题：孙为民 + 印象派　；参考：《山东工艺美术学院》2014年硕士论文

【摘要】：印象派是西方绘画史上的转折点，开启了世界现代绘画艺术的大门。印象派绘画最早在20世纪初由李叔同，刘海粟等画家从日本带入中国。建国以后，由于苏联美术教育模式的引入，印象派艺术被视作资本主义文化的产物因而受到排斥和限制。一直到改革开放以后，随着中西方文化交流的不断加深，西方现代绘画艺术让国内的画家大为震撼。20世纪80年代开始，标榜“现代艺术”成为了国内绘画特别是油画的主流。一时间，抽象、意向、表现等等各种现代风格的油画作品铺天盖地的席卷了整个中国大地。鲁迅先生讲：“民族的既世界的”，正当画家们沉浸在追逐西方现代艺术的时候，中国油画的民族化问题引起了画家们的关注。很多画家注意到，西方的现代绘画艺术中追求的情感表达与传统的中国水墨画中的抒情是相通的。于是，用油画材料表现带有国画的味道的画作以及从民间美术中汲取营养的意象表现画作无疑是体现油画中国画的一条捷径。但是，中国油画的民族化不仅仅是在表现形式上对东西绘画的拼凑结合，更要体现出画家自身浓厚的民族情感。孙为民先生的油画作品就是对当代中国油画民族化理解的最直观的表达。孙为民先生是我国当代著名的油画家，其绘画风格在油画界独树一帜。他是当代中国运用印象派绘画技法表现自己民族情怀的实践者和领路人。本文着重对孙为民先生绘画风格的形成过程和不同风格时期的绘画作品进行分析研究。通过对孙为民先生绘画经历和绘画作品的研究，结合自身对油画语言的理解和实践，对深层次的理解中国油画民族化问题和提升自身的绘画素养有着十分重要的意义。
[Abstract]:Impressionism is a turning point in the history of western painting and opens the door of modern painting art in the world. Impressionist painting was first brought into China by Li Shutong, Liu Haisu and other painters from Japan in the early 20 th century. After the founding of the people's Republic of China, the Impressionist art was regarded as the product of capitalist culture because of the introduction of the art education model in the Soviet Union. Until the reform and opening up, with the deepening of cultural exchanges between China and the West, the modern western painting art greatly shocked the domestic painters. Since the 1980s, "modern art" has become the mainstream of domestic painting, especially oil painting. For a time, abstract, intention, performance and other modern style of oil painting sweeping the entire land of China. Lu Xun said: "the world of the nation", while painters immersed in the pursuit of Western modern art, the nationalization of Chinese oil paintings attracted the attention of painters. Many painters have noticed that the expression of emotion pursued in modern western painting is related to the lyricism in traditional Chinese ink painting. Therefore, the use of oil painting materials with the flavor of traditional Chinese painting and drawing nutrients from the folk art of image performance painting is undoubtedly a shortcut to reflect oil painting in Chinese painting. However, the nationalization of Chinese oil painting is not only a combination of painting in the form of expression, but also reflects the national feelings of the painters themselves. Sun Weimin's oil painting is the most intuitive expression of the nationalization understanding of contemporary Chinese oil painting. Sun Weimin is a famous oil painter in our country, his painting style is unique in oil painting. He is a practical and leading person in contemporary China to use Impressionist painting techniques to express his national feelings. This paper focuses on the forming process of Sun Weimin's painting style and the painting works of different styles. Through the study of Sun Weimin's painting experience and painting works, combined with his own understanding and practice of oil painting language, it is of great significance to understand the nationalization of Chinese oil painting at a deeper level and to improve his painting accomplishment.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

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