论画境优先前提下的漆媒表现

发布时间：2018-05-31 23:03

本文选题：漆画 + 画境　；参考：《四川美术学院》2017年硕士论文

【摘要】：漆画是以漆为媒材的表现语言创作,是绘画与工艺之间两者的结合。通过漆画的发展探索,现代漆画作为纯绘画艺术语言表现,对其意境营造的探索研究和开发,历来都是漆画艺术备受关注的焦点所在。绘画意境的优先是漆画创作的前提宗旨,它在学术上也是极为重要的。那么如何通过漆画的绘画语言、材质语言、图式语言等为漆画创作带来丰富多样的艺术表现形态以及画意画味。本文一共五个部分。第一部分为绪论,主要从“国内外现状”、“研究的目的和研究的内容”两个方面论述,宗旨在于对画境优先的绘画性美学境界的追求。只有在这样的前提下,才能体现漆画创作的纯粹性价值。而对于画境优先前提下的漆媒表现的研究正是绘画艺术的重要研究课题。对于漆画画境的研究,除了对一般规律性和特征的营造表达以外,本文还提出要重视漆画创作的独特性:漆画的图式、漆画的材质美感、漆画的纯粹性以及后续工作的展望这些都是构成漆画独具一别的因素。这也是本文研究的目的和主要内容所在。第二部分围绕画境的优先性这个课题展开,首先对何谓画境进行阐述;其次进一步阐释概括传统山水画的意境,通过对山水画的研究引出本次毕业创作的中心和初衷。再者对何谓优先进行解释,是绘画,是画味。文中始终结合并贯穿着漆画创作展开论述。第三部分,这个部分包括两点:其一,探讨何谓语言,构成漆画图式语言的重点还是依附于“画境优先”(即“画在漆先,艺在技前”),“图的放松,质的看重”。其二,何谓相应性,是绘画又是一种心境,是一种情绪的自然流动。创作的技艺表现很多时候都是非预设性的、非惯例的,绘画的思维在创作中具有决定性作用,在此绘画思维意识便成了作品成功的前提保障,这也是以画制漆,而非以漆制画。第四部分,解读现代漆画绘画性的特点,可以从两个方面来叙述:第一,从漆画自身出发,探讨漆画的材质美感,这也是一直以来漆画创作备受关注的点,材质的美感,特殊性也让漆画创作增添了几分色彩。第二,从漆画作为纯绘画的纯粹性方面讲,那么漆的意义并非只显示在漆层的反复堆叠、髹涂和研磨中,漆所需要的所有工艺和步骤都有其必要的意义,因为漆受自身材料条件的限制,注定了漆需要同其他材料结合来展现图像。漆从业者一定要探索到漆与自我的天然联系,使用恰到好处的手段,使漆成为材料间联结的桥梁,使之相得益彰。第五部分,是文章的结论部分,展望漆画发展的未来,从我的创作探索过程中体悟到绘画意识在现代漆画艺术上的决定意义。现代漆画以漆而画,意在画境,是对形上精神追求所致。在漆画创作中,要尊重漆画不同于其他画种的特殊美感,材质的独有性、技艺的特殊性的表现,以图取质,以画施技,画在漆先,艺在技前,这样的漆文化的艺术精神才能更加深入地、内在地传承与发展。实现“画——技”和谐,“技——画”一体的艺术浑成关系,如此才能为现代漆画的发展拓宽道路,才能真正彰显漆文化的博大精深与不息精进。
[Abstract]:Lacquer painting is the combination of painting and technology, and the combination of painting and craft. Through the development of lacquer painting, modern lacquer painting, as the language expression of pure painting, has always been the focus of lacquer painting. The priority of painting artistic conception is the front of lacquer painting. For the purpose, it is also very important in academic. Then how to bring a variety of artistic expression and flavor to the creation of lacquer painting through the painting language of lacquer painting, the material language and the schema language. The first part is the introduction, mainly from "the present situation at home and abroad", "the purpose of the study and the inside of the research." The purpose of the two aspects is to pursue the aesthetic realm of painting, which is the priority of painting. Only under this premise can we reflect the pure value of the creation of lacquer painting. The study on the performance of paint medium under the precondition of painting is an important research topic in the art of painting. In addition to the construction and expression of law and characteristics, this article also puts forward to pay attention to the uniqueness of lacquer painting creation: Lacquer Painting Schema, lacquer painting aesthetic feeling, lacquer painting purity and future work outlook are all other factors that constitute lacquer painting. This is also the purpose and main content of this study. The second parts around the best painting environment. First, the subject is to expand, first of all, the description of what is the painting situation; secondly, to further explain and summarize the artistic conception of the traditional landscape painting, and to draw the center and original intention of this graduation creation through the study of landscape painting. This part includes two points: first, to discuss what is the language, to form the focus of the lacquer painting language, or to be attached to "the priority of painting" (that is, "painting in lacquer first, art before skill"), "the relaxation of the drawing, the quality of view". What is the corresponding nature of painting, is a mood and a natural flow of emotion. Time is non presupposition, non customary, painting thinking plays a decisive role in the creation of the painting thinking consciousness has become the prerequisite for the success of the work, which is also a painting, not paint. The fourth part, interpretation of the characteristics of the painting of modern lacquer painting, can be described from two aspects: first, from lacquer painting itself out of the painting. To explore the aesthetic feeling of lacquer painting, it is also a point of concern for the creation of lacquer painting, the aesthetic feeling of the material and the particularity of the lacquer painting add a few colors. Second, from the pure aspect of the painting as pure painting, the meaning of the paint is not only shown in the repeated stacking of the lacquer layer, lacquer and lacquer, and the need for lacquer. The process and the steps have the necessary meaning, because the paint is limited by the conditions of its own material, and it is doomed to combine the paint with other materials to show the image. The paint practitioners must explore the natural connection between the paint and the self, use the appropriate means to make the paint a bridge between the materials and make it complement each other. The fifth part is the article. The conclusion part of the chapter looks forward to the future of the development of lacquer painting. From the process of my creative exploration, we realize the decisive significance of the painting consciousness in the modern lacquer painting. The modern lacquer painting is painted with paint and is intended to be the result of the spiritual pursuit of shape. In the creation of lacquer painting, we should respect the special aesthetic feeling of lacquer painting different from other kinds of painting, and the uniqueness of the material. The performance of the particularity of skill, in order to draw the quality, to draw the skill, the painting in the paint first, the art before the technique, can the art spirit of the lacquer culture be more deeply, inherit and develop inside, realize the harmony of "painting - technology", "technology and painting", so that the development of modern lacquer painting can be widened and the real way can be true. Lacquer culture is extensive and profound.
【学位授予单位】：四川美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J213.9

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