呼和浩特乌素图召庙壁画的传承与演变

发布时间：2018-06-02 17:15

本文选题：乌素图召庙壁画 + 藏传佛教壁画　；参考：《内蒙古师范大学》2013年硕士论文

【摘要】：在呼和浩特民间流传着“七大召、八小召，七十二个绵绵召”这样一句民谚。其中呼和浩特乌素图召是八小召之一，它由庆缘寺、长寿寺、法禧寺、罗汉寺、广寿寺五座寺庙组成，召庙壁画主要分布在庆缘寺和长寿寺内。 13世纪后期藏传佛教传入蒙古地区，16世纪后期藏传佛教得到了广泛的传播和发展。蒙古统治阶级为了自己统治需要大力扶持喇嘛教的发展，同时大量兴建寺庙，壁画艺术也随着藏传佛教传入蒙古地区，乌素图召也受到了藏传佛教的影响。不论在建筑布局和造型，还是雕刻壁画等艺术方面，，无不体现出乌素图召传承了藏传佛教的艺术特征，具有明显的地区性和民族特点。明清时期蒙藏汉三地在文化上的开放交流，促进了蒙古喇嘛教事业的发展。蒙古画匠巧妙地把中原绘画技法和本地区的审美意识融合在了传统的藏传佛教壁画中，演变成具有蒙古壁画艺术的特色，形成了独特的“蒙古画风”。呼和浩特乌素图召庙壁画揉合了蒙、藏、汉艺术于一体，形成了自己独特的召庙壁画艺术风格；体现了明清时期蒙古与西藏、中原地区在政治、经济、文化上的密切交流；反映出乌素图召庙在当时多方面的历史信息和文化盛况。本文以呼和浩特乌素图召庙壁画为研究对象，并将其作为研究切入点，通过对壁画内容的识读与考释、佛像来源的探究、藏传佛教壁画的比对、中原文化交流的阐释等，进一步探讨了藏传佛教壁画对乌素图召庙壁画的影响与传承。乌素图召庙壁画在吸收中原传统绘画技法后的演变，以及提取乌素图召庙的视觉形象符号，应用到公共艺术设计中的现实意义等相关延展性问题，为乌素图召庙壁画的传承与演变提出了研究课题。
[Abstract]:In Huhehaote , there is a folk saying , " Seven Great calls , eight small calls and seventy - twelve sheep calls " , which are called one of the eight calls . It is composed of five temples of Qingqi Temple , Longevity Temple , Farjue Temple , Luohan Temple and Guangshou Temple . The temple mural paintings are mainly distributed in the temple and longevity temple .

In the late 13th century , Tibetan Buddhism was introduced into the Mongolian region , and Tibetan Buddhism in the late 16th century has been widely disseminated and developed . The Mongolian ruling class has also been influenced by Tibetan Buddhism in order to control the development of the Lama , and to build temples and frescoes .

During the Ming and Qing Dynasties , the cultural opening and communication between the Mongolian and Han Dynasties promoted the development of the Mongolian Lamaism . The Mongolian painter skillfully combines the traditional painting technique and the aesthetic consciousness of the region in the traditional Tibetan Buddhism mural painting , which has become the characteristic of Mongolian mural art , and formed a unique " Mongolia painting style " .

Huhehaote wu Su tu temple mural painting kneading the Mongolian , Tibetan and Chinese art into a whole , and formed its own unique temple mural art style ;
It reflects the close communication between Mongolia and Tibet and the Central Plains in politics , economy and culture during the Ming and Qing Dynasties .
In this paper , the influence and the inheritance of Tibetan Buddhism mural painting on the mural painting of Wusu TuoTemple are discussed in this paper .
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.6

【参考文献】