风格形成与范式更新

发布时间：2018-06-03 02:11

本文选题：风格 + 范式　；参考：《上海师范大学》2013年硕士论文

【摘要】：自我艺术风格的形成是我们学习绘画者追求的目标，在熟练掌握了基本绘画技法之后，风格形成的问题将是我们研究和探索的重要课题。文章一开始绪论部分指明在什么样的环境背景下讨论风格问题，首先要认识到我们生活在一个充斥着各种视觉图像的时代中，现代科技快速发展，电影，电视，杂志，摄影，多媒体等视觉图像以其丰富性，多元性，快捷性成为视觉文化的主流。而如写实绘画，雕塑等传统视觉形式，，由于工序复杂，进程缓慢，风格陈旧等劣势如何跟上时代？如何走下去？引发了我的思考，所以我研究当代社会与艺术风格的关系，风格与思维的关系，思维与当代的联系。并先将风格，思维范式，视觉范式的基本概念加以解释和界定。在明确了风格是艺术家本人性格，审美情趣和作品内容形式的和谐统一后所体现的艺术特色。思维范式是人所固有的符合人意愿的知觉方式，视觉范式是受思维范式支配下的视知觉方式。文章接着论述了风格和范式之间的关系，阐明风格形成的外在因素时代，环境，种族。内在因素个人思维和感知。最后论证个人思维和感知必定和时代联系在一起，影响着原来的思维范式，作用于视觉层面，造成视觉范式的更新，带来新的艺术风格的呈现。在对以上论述有了具体的认识后，根据我自身的特点调整原来固有的思维，视觉范式，争取达到风格形成的目标。毕业创作是我调整思维后做出的尝试，我将图像分析，视觉文化等知识内容加入来充实，更新我的思维，并主要选择现代象征性手法来完成创作，力求使作品的视觉效果符合当代审美情趣。作品题目分别为《莎乐美》，《潘多拉》，《画皮》，《绿衣女》，《霍小玉》，《情探》。六张画来源于六个古代故事，通过对图像，母题的分析阐述把我的观念和认知传达给读者。最后在结论中指出时代的进步与发展影响了我们的知觉方式，解读方式。一成不变，固步自封的观念是不合时宜的。以开放的心态解读当代，积极调整更新固有的思维，视觉范式，并将自己独特个性融入作品中必将呈现个人的艺术风格。
[Abstract]:The formation of self-artistic style is the goal we pursue. After mastering the basic painting techniques skillfully, the problem of style formation will be an important subject for us to study and explore. At the beginning of the article, the introduction points out the context in which style issues are discussed. First of all, we should realize that we live in an age full of visual images, rapid development of modern science and technology, movies, television, magazines, photography, Multimedia and other visual images have become the mainstream of visual culture because of their richness, diversity and rapidity. And such as realistic painting, sculpture and other traditional visual forms, due to the complexity of the process, slow progress, old-fashioned style and other disadvantages how to keep up with the times? How to get down? So I study the relationship between contemporary society and artistic style, between style and thought, and between thought and contemporary. The basic concepts of style, thinking paradigm and visual paradigm are explained and defined first. The style is the artistic characteristic of the artist's character, aesthetic taste and the form of the content of the work. The paradigm of thinking is an inherent mode of perception in accordance with the wishes of human beings, while the visual paradigm is the mode of perception under the control of the paradigm of thinking. The article then discusses the relationship between style and paradigm, and clarifies the external factors of style formation: age, environment and race. Internal factors: personal thinking and perception. Finally, it is demonstrated that personal thinking and perception must be associated with the times, affecting the original thinking paradigm, acting on the visual level, resulting in the renewal of visual paradigm and the presentation of new artistic style. After the above discussion has the concrete understanding, according to my own characteristic adjusts the original inherent thought, the visual paradigm, strives to achieve the style formation goal. Graduation creation is an attempt I made after adjusting my thinking. I added image analysis, visual culture and other knowledge to enrich, update my thinking, and mainly choose modern symbolic techniques to complete my creation. Strive to make the visual effect of the work in line with the contemporary aesthetic taste. The titles of the works are Salome, Pandora, skin, Green woman, Fok Xiao-yu, and probe into the situation. Six paintings come from six ancient stories and convey my ideas and cognition to readers through the analysis of images and motifs. Finally, the author points out that the progress and development of the times have influenced our perception and interpretation. The idea of inflexibility and inflexibility is anachronistic. With an open mind to interpret the contemporary, actively adjust and update the inherent thinking, visual paradigm, and their own unique personality into the work will show a personal artistic style.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J204

【共引文献】