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浅析传统花鸟画中色彩的时代特征

发布时间:2018-06-03 22:50

  本文选题:传统花鸟画 + 色彩 ; 参考:《中央美术学院》2013年硕士论文


【摘要】:本研究基于花鸟画与人们生活的密切关系,研究其在创作过程中运用色彩的观念、技巧、方法,尤其是在不同历史时期花鸟画所受到社会政治、经济、哲学及文化传统影响,所表现出不同的时代特征和社会作用。传统花鸟画创作中色彩的运用,在某种程度上也是代表了一定的时代意义。对于花鸟画色彩的时代特征的研究,有助于更清晰地认识色彩的基本属性和寓意,准确把握在花鸟画创作中对色彩的运用,具有理论和创作应用的双重价值。 本文主要采用文献研究方法。通过图书馆、网上书店等渠道的图书资料查阅和中国知网数据库期刊文献检索,对有关花鸟画色彩时代特征及属性进行了文献研读、整理、归类,经过对资料的归纳、分析和思考,总结概括得出传统花鸟画时代特征及其影响因素。 研究发现,中国传统花鸟画色彩具有观念性、象征性和与西方光谱色彩学相比较的差异性等基本属性,院体花鸟画、文人花鸟画、禅宗花鸟画和民间花鸟画承担了不同的功能。汉唐时期、两宋时期、元代时期和明清时期,由于社会历史背景不同,花鸟画中的色彩随时代的变化而显示出不同的时代性特征。这些时代性特征的变化受到了社会局势稳定性、统治阶层对待花鸟画艺术创作的态度、文化传统的发展、哲学观念的变化以及绘画理论的发展影响。中国传统花鸟画在朝代更替中发展成熟,其色彩由“五色”提出,经历“以色貌色”到“随类赋彩”再到“运墨五色俱”及“六彩”说等,色彩的时代性特征变化,使得历代花鸟画不仅仅是表现花花草草,更是在表现画家的主观世界和社会中的时代性。
[Abstract]:Based on the close relationship between flower and bird painting and people's life, this study studies the concept, technique and method of using color in the process of creation, especially the influence of social politics, economy, philosophy and cultural tradition on flower and bird painting in different historical periods. It shows different characteristics of the times and social functions. The use of color in the traditional flower and bird painting represents a certain significance of the times. The study of the age characteristics of flower and bird painting color is helpful to understand the basic attribute and meaning of color more clearly and accurately grasp the application of color in the creation of flower and bird painting, which has the double value of theory and creation application. This article mainly adopts the literature research method. Through the reference of library, online bookshop and the periodical literature retrieval of Chinese knowledge and net database, this paper studies, arranges, classifies and sums up the documents about the characteristics and attributes of flower and bird painting color times. Analyzing and thinking, summing up and summing up the characteristics of the traditional flower and bird painting era and its influencing factors. It is found that the color of Chinese traditional flower and bird painting has the basic attributes of idealism, symbolism and difference compared with the western spectral chromatics. The traditional flower and bird painting in the courtyard, the flower and bird painting by the literati, the flower and bird painting in Zen and the folk flower and bird painting have different functions. During the Han and Tang dynasties, the Yuan Dynasty and the Ming and Qing dynasties, because of the different social and historical background, the colors in the flower and bird paintings showed different characteristics of the times. These changes in the characteristics of the times are influenced by the stability of the social situation, the attitude of the ruling class towards the artistic creation of flower and bird painting, the development of cultural tradition, the change of philosophy and the development of painting theory. The traditional Chinese flower and bird painting developed and matured in the succession of dynasties, its color was put forward by "five colors", experienced from "color and appearance color" to "color with color" to "moving ink and five colors" and "six colors", and so on. It not only shows the flowers and plants, but also shows the painter's subjective world and the times in the society.
【学位授予单位】:中央美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

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