汪子美漫画研究（1935-1948）

发布时间：2018-06-04 11:47

本文选题：汪子美 + 图像学　；参考：《中国艺术研究院》2014年硕士论文

【摘要】：漫画作为时代性画种,从一诞生就披着战斗的外衣揭露黑暗社会的罪恶,它自引入中国所发挥的作用与价值就未曾减弱过。从清政府到辛亥革命、北伐战争、国民政府、抗日战争等,不知经历多少个战争事件,漫画家换了一代又一代,他们创作了大量的披露现实的作品,为漫画的发展夯实了基础。本文针对著名的漫画家汪子美及其漫画作品展开论述,以二十世纪三、四十年代的漫画经历为路线,对他的漫画作品做图像学的分析,以此总结他的创作特点、风格变化,进而揭示出他的精神内涵。本文以汪子美的创作活动分为上下两篇,上篇即“上海时期的汪子美”,下篇即“流亡时期的汪子美”。汪子美从天津到上海,是他从事漫画创作的初期及发展时期；抗日战争爆发后他随漫画队伍辗转流亡到武汉、桂林最后到达重庆,经历抗日战争后进入解放战争,他的漫画也逐渐走向成熟。随着各个时期经历的时代不同,汪子美的漫画作品也发生着变化。从题材上来看,上海时期,他画过影星、漫画家等肖像漫画,后转入国际、国内的时事政治漫画。流亡时期,他主要以战争为主要题材,发表有关战事、讽刺日寇、抨击汉奸、歌颂英雄等内容的漫画。进入解放战争后,汪子美担任报纸副刊的主编,并自行创办刊物,所画漫画直面抨击国民党执政的腐败与黑暗,继续秉持漫画的讽刺、战斗特性进入战争冲锋状态。汪子美在上海所描绘的漫画题材是代表他思想表达的关键环节,但他的上海时期只是他漫画创作的一个阶段,在战时所创作的作品和发挥的作用远比战前要大得多。因此抗日战争、解放战争时期的漫画作品使得他的创作主体脉络得以延续。
[Abstract]:As a kind of contemporary painting, cartoon has been draped in the cloak of battle since its birth to expose the evil of dark society, and the function and value it has played since it was introduced into China has not been weakened. From the Qing government to the Revolution of 1911, the Northern Expedition, the National Government, the Anti-Japanese War and so on, they did not know how many war events, cartoonists changed generation after generation, they created a large number of works revealing reality, which laid a solid foundation for the development of comic books. This paper discusses the famous cartoonist Wang Zimei and his comic books, taking the comic book experience of the 1930s and 1940s as the route, and makes an analysis of his comic book works in order to sum up his creative characteristics and style changes. Then reveal his spiritual connotation. This article is divided into two parts according to Wang Zimei's creative activities. The first is Wang Zimei in Shanghai and the second is Wang Zimei in exile. Wang Zimei, from Tianjin to Shanghai, was the beginning and development period of his comic book creation. After the outbreak of the War of Resistance against Japan, he went from exile to Wuhan with the comic book team, and Guilin finally arrived in Chongqing, where he went through the War of Resistance against Japan and entered the War of Liberation. His comics are also gradually maturing. With the different times, Wang Zimei's comics are changing. In terms of subject matter, during the Shanghai period, he drew portraits of movie stars and cartoonists before turning to international and domestic current affairs and politics comics. During his exile, he mainly focused on war and published cartoons about war, satirizing the Japanese aggressors, criticizing traitors and praising heroes. After entering the War of Liberation, Wang Zimei was the editor of the newspaper supplement and founded her own publication. The cartoons directly attacked the corruption and darkness of the ruling Kuomintang, and continued to uphold the satire of comic books, and the combat characteristics entered into a state of war charge. Wang Zimei's caricature in Shanghai is the key link to represent his thought expression, but his Shanghai period is only a stage of his comics creation, and the works and functions he created in wartime are much bigger than those before the war. Therefore, during the War of Resistance against Japan and the War of Liberation, his comic books continued.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J218.2

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