20世纪80年代以来中国乡土人物题材油画创作研究
发布时间:2018-06-05 05:54
本文选题:乡土 + 人物题材 ; 参考:《中国矿业大学》2017年硕士论文
【摘要】:乡土人物题材是当代中国油画艺术的重要表现题材,乡土人物形象具有传统农业文明的精神风貌和天然印记,具有许多群体共性特征。例如乡土人物大都是依托大地、靠天吃饭、跟大自然打交道的劳动者;是物质食粮、财富的生产者、创造者。他们世世代代都耕耘放牧在祖先劳动过的地方,对于土地、牧场、江河湖海等谋生环境的感情无比深厚;他们身上更多继承了父辈们世代积累的淳朴勤劳的精神特质,有着浓烈的乡土情结。五四运动以来至文革时期,油画创作中的乡土人物形象塑造,具有历史局限性。80年代表现乡土人物形象的油画艺术作品引领着时代艺术风潮,预示着乡土人物题材油画创作的兴起,此后呈现出多元化的繁荣发展。90年代乡土人物题材油画的多元化发展主要主要表现在,一个是文化内涵的多元化,一个是创作风格的多元化。中国乡土人物题材油画与西方的同类型的题材油画相比,作品创作数量和创作水平显著提升,具有显著的创作特点。一是乡土构成的文化因素越来越强,精神内涵的涵盖范围更广。二是批判性相对减弱了,更趋于对乡土人物本原性情的描绘,更倾向于艺术家个人思想情感和价值观念的传达。三是人物的表现风格多元化,创作和表现技法的多层次性,是多民族与多文化的价值的体现。乡土人物题材油画是在多元化、多样性的艺术土壤上发展的,呈现出与其它题材不同的独特的艺术风貌,具有深刻的社会文化原因。很多优秀的油画艺术家成功的将西方的油画艺术风格与乡土人物题材油画创作结合起来,创作出震撼心灵的油画艺术作品,值得深入研究学习。
[Abstract]:The theme of local characters is an important theme of contemporary Chinese oil painting art. The image of local characters has the spiritual features and natural imprint of traditional agricultural civilization and has many common characteristics of groups. For example, most of the local people rely on the earth, rely on the day to eat, and deal with the nature of the laborer; is the material food, wealth producers, creators. They have worked and grazed in the places where their ancestors worked for generations, and their feelings for the land, pastures, rivers, lakes, seas and other living environments are incomparably deep; they have inherited more of the simple and industrious spiritual qualities accumulated by their parents from generation to generation. There is a strong local complex. Since the May 4th Movement to the Cultural Revolution period, the local figure image in the oil painting creation has the historical limitation. The oil painting art works which express the local figure image in the 1980s lead the times art tide. Foreshadowing the rise of the creation of local people's oil paintings, and then showing a diversified prosperity and development. The diversified development of the local figures' oil paintings in the 1990s is mainly manifested in, one is the diversification of the cultural connotation, the other is the diversification of the cultural connotations. One is the diversity of creative styles. Compared with the western oil paintings of the same type, the quantity and level of creation of Chinese local characters have been improved significantly. First, the local cultural factors are becoming stronger and stronger, and the scope of spiritual connotation is wider. Second, the criticism is relatively weakened, and tends to describe the original temperament of the local characters, more inclined to convey the artist's personal thoughts, feelings and values. The third is the diversity of the characters' expression style, the multi-level of creation and performance techniques, and the embodiment of the value of multi-nationality and multi-culture. The local figure oil painting is developed on the diversified and diverse artistic soil, showing a unique artistic style and features different from other subjects, with profound social and cultural reasons. Many outstanding oil painting artists successfully combine the western oil painting art style with the local figure subject oil painting creation, creates the oil painting artistic work which shocks the soul, is worth studying deeply.
【学位授予单位】:中国矿业大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J213
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