龙瑞设色山水画研究

发布时间：2018-06-05 17:29

本文选题：龙瑞 + 设色　；参考：《中国艺术研究院》2014年硕士论文

【摘要】：龙瑞是一位有思想深度和学术见解的画家。在当代中国画如何发展走什么样道路的问题上,龙瑞从中国文化立场出发,针对中国画的发展现状,在2000年前后提出了“贴近文脉,正本清源”的学术主张,这是龙瑞对中国画健康发展提出的观点。龙瑞近师李可染、黄宾虹,远学宋、元、明、清诸大家,在接受李可染山水画传统笔墨基础上又加强了光影和色彩塑造,把现代色彩与传统笔墨整合为一,在山水画的设色上开拓了自己的路径。如他所说：“我现在把自己往传统道上拉,强调传统标准,强调笔墨,随机生发、气息和趣味。过一段时间,也可能杀回来,再把构成的东西捡起来,吸收点新东西。”这之后,龙瑞探索着将塞尚式的结构画法与晚年黄宾虹式的自由笔墨结合起来,在色彩表现上汲取了西方绘画的用色方法,在保持传统水墨气韵的前提下,设色追求光色变化的细节,在墨色中融合了现代色彩之美。正所谓“墨为主,色为辅”,“色不碍墨,墨不碍色”。龙瑞大胆的实验,自由的探求,使得其作品在传统山水图式的相衬下与现代色彩实现了新的美学意境,成为他这个时期作品的主要特色。研究龙瑞设色山水作品,有利于我们进一步的认识、传承和尊重传统文脉,在山水画借用现代色彩表现它的多元性和多样性时,把绘画本身的理解和对中国山水画史的把握所表现的艺术性上升到与“随类赋彩”同等的理论层次,具有开辟时风的价值与意义。
[Abstract]:Long Rui is a painter with depth of thought and academic insight. On the question of how to develop the contemporary Chinese painting, Long Rui, from the standpoint of Chinese culture, put forward the academic proposition of "close to the context and the origin of the original" in the year 2000, in view of the present situation of the development of Chinese painting. This is Long Rui's view on the healthy development of Chinese painting. Li Keran, Huang Binhong, far from Song, Yuan, Ming and Qing, all of them, have strengthened light and shade and color shaping on the basis of accepting traditional Chinese painting of Li Keran. The combination of modern color and traditional brushwork has opened up its own path in landscape painting. As he said, "I am now pulling myself into the traditional way, emphasizing traditional standards, ink and ink, random hair, breath and interest." After a while, it may come back, pick up the composition and absorb something new. " After this, Long Rui explored the combination of Cezanne's structural painting and Huang Binhong's free pen and ink in his later years, and absorbed the color method of western painting in color expression, while maintaining the traditional ink and ink charm. Color pursuit of the details of light color change, in the ink blend the beauty of modern colors. The so-called "ink-based, color secondary", "color does not interfere with ink, ink does not interfere with color." Long Rui's bold experiment and free exploration made his works realize a new aesthetic conception under the background of traditional landscape schemata and modern colors, which became the main feature of his works in this period. Conducive to our further understanding, inheritance and respect for the traditional context, when landscape painting borrow modern colors to express its diversity and diversity, It is of great value and significance to raise the artistic quality of painting itself and grasp the history of Chinese landscape painting to the same theoretical level as that of "painting with different kinds of colors".
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】