《生生不息》毕业创作报告

发布时间：2018-06-12 11:57

本文选题：榕树 + 线条　；参考：《湖南师范大学》2014年硕士论文

【摘要】：《生生不息》描绘的是以榕树根为题材的工笔画。本篇创作报告主要从三个方面阐述艺术创作形成的过程,分别是“眼中之竹”,既绘画灵感来源与冲动。面对自然界的情景,一次又一次的进行心灵与景物的交谈,客观物象引起心灵的振动,“由物生情,由情生像”,于是决定拿起画笔记录下此情此景；“胸中之竹”——通过我对中国画的认识与了解,在情景交融之时便产生了自我心中的艺术形象,“外师造化,中得心源”,既强调不失事物原本的形态美,又在创作中融入自己的主观感情,使画面不仅仅是大自然的复制品,更多地表达出作者人生的品格、胸襟,作者在自然与心灵达到和谐的同时,作品也会意味隽永；“手中之竹”——这一章主要论述整个创作过程。按照传统的工笔画作画步骤,先论创作的构图,在构图中线条亦是工笔画的精髓,因此,在《生生不息》的创作中,我尝试线条中结合写意画感性用线的与工笔画的理性用线,使物体造型准确生动,增强了随意性和直抒性,并且“以书入画”,使“写”出来的线条更加富有表现力和韵律。在具备了创作的骨髓——线条之后,就应当考虑画面的“精气神”,既通过色彩,技法等呈现出的视觉效果。在色彩的处理上,我注重随“意”赋彩。而受当代工笔重彩画的影响,我侧重于新材料、新技法的运用,立足传统基础上,融入擦、洗、磨等技法,运用多种材料,如云母片、银箔等来使作品达到预期的效果。“笔墨当随时代”,《生生不息》正是体现出我的价值取向,既有传统的元素,又不缺少现代的审美语言,艺术风格多样,在当代语境下寻找抱朴归真的心态和对传统文化进行传承演绎。
[Abstract]:The description of the root of banyan tree as the subject of fine brushwork. This paper mainly expounds the formation process of artistic creation from three aspects, namely "bamboo in the eyes", which is the source of inspiration and impulse of painting. In the face of the situation in nature, talk with the scene again and again, the objective object image causes the vibration of the soul, "from the object to create the emotion, from the feeling to create the image", so decided to take up the brush to record this scene; "Bamboo in your chest"-through my understanding and understanding of Chinese painting, the artistic image of the self comes into being when the feelings blend with each other. "the outside teacher makes the art, the source of the heart", which emphasizes not losing the beauty of the original form of things. And in the creation of their own subjective feelings, so that the screen is not only a replica of nature, more expression of the author's life character, mind, the author in nature and soul to achieve harmony, the work will also mean meaningful; Bamboo in the hand-this chapter mainly discusses the whole process of creation. According to the traditional painting steps of fine brushwork, we first discuss the composition of the composition, in which the lines are also the essence of the fine brushwork. Therefore, in the creation of "Life without end", I try to combine the lines of freehand brushwork with the rational lines of the paintbrush painting with the perceptual lines. Make the object shape accurate and vivid, enhance the randomness and straight expression, and "book into painting", so that "write" out of the lines more expressive and rhythmic. After having the bone marrow-line of creation, we should consider the visual effect presented by color, technique and so on. In color processing, I pay attention to along with the "meaning" of the lottery. Under the influence of contemporary fine brush painting, I focus on the application of new materials, new techniques, based on the traditional basis, integrating wiping, washing, grinding and other techniques, using a variety of materials, such as mica, silver foil, to achieve the desired results. "the pen and ink should follow the times", "live without end" is just reflected my value orientation, not only has the traditional element, but also does not lack the modern esthetic language, the artistic style is various, In the contemporary context of seeking to embrace the mentality of Park Gui-Zhen and the traditional culture to inherit and deduce.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】