女性工笔人物画中蕾丝的创作表现研究

发布时间：2018-06-12 15:36

本文选题：蕾丝 + 女性　；参考：《扬州大学》2017年硕士论文

【摘要】：蕾丝源于欧洲,是由图案构成的镂空网眼组织。其质地轻薄且通透,给人一种优雅的艺术感。蕾丝因其精致的构成样式、单纯的色彩以及神秘浪漫的艺术感,深受艺术家们的喜爱,在中国工笔花鸟和人物画中,我们也能找到蕾丝的踪迹,当代工笔人物作品中有不少将蕾丝借鉴入画的工笔绘画作品。蕾丝主要运用于女性工笔人物中,画家们在绘画创作中对蕾丝进行描摹和创新,在观念和形式表现上更加重视“装饰性”、“创新性”等时代特征,使它和谐地融入到充满中国风意蕴的画面中,并与现代人的审美情趣相融合,蕾丝的运用为当代工笔人物画的发展带来了新的创作视角,拓展了工笔绘画创作中的表现语言。文章第一部分从蕾丝在女性工笔人物绘画作品中的不同表现形式入手,结合作品探讨当代工笔人物画家笔下的蕾丝是如何处理,为笔者的创作实践奠定基础;第二部分通过笔者本人的工笔人物创作实践分析了蕾丝在绘画创作中的具体运用,以及在创作中遇到的一些问题和解决办法,主要包括了《春日》、《攻心之计》、《奇妙的朋友》三幅作品的创作灵感来源和创作过程;第三部分从创作过程中蕾丝点、线、面的组合、色彩运用、肌理描绘三方面入手,整理归纳了蕾丝在创作实践中的表现手法;第四部分是笔者的创作体会,首先分析总结了笔者在绘画创作中遇到的问题并进行反思,进一步探究蕾丝在工笔绘画中的可行性,其次是对今后绘画创作的感悟,探寻新的创作视角。
[Abstract]:Lace originated in Europe, is a pattern of hollowed-out mesh organization. It is thin and transparent, giving people an elegant sense of art. Because of its delicate composition, pure color and mysterious and romantic artistic sense, lace is deeply loved by artists. We can also find the trace of lace in Chinese meticulous paintings of flowers, birds and figures. There are many contemporary meticulous figure works, drawing on lace into the fine brushwork painting works. Lace is mainly used in female meticulous characters, painters describe and innovate lace in painting creation, pay more attention to "decorative", "innovative" and other characteristics of the times in concept and form performance. The application of lace brings a new creative perspective for the development of contemporary meticulous figure painting and expands the expression language in the creation of meticulous brushwork painting. The first part of the article starts with the different forms of lace in the painting works of female meticulous characters, and discusses how to deal with the lace in contemporary painters' works, which lays the foundation for the author's creative practice. The second part analyzes the specific application of lace in painting creation, and some problems and solutions encountered in the creation through the author's own meticulous character creation practice. It mainly includes "Spring Day", "the plan to attack the heart", "wonderful friend", the source of inspiration and the creative process of the three works. The third part starts with the combination of lace points, lines, and surfaces, the use of colors, and the description of texture in the process of creation. The fourth part is the author's creative experience. Firstly, it analyzes and summarizes the problems encountered by the author in painting creation and rethinking, and further explores the feasibility of lace in fine brushwork painting. The second is the feeling of painting creation in the future, to explore a new creative perspective.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

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