中国写意花鸟画的艺术精髓在当代工笔花鸟画创作中的应用

发布时间：2018-06-12 16:52

本文选题：写意 + 工笔　；参考：《江西科技师范大学》2013年硕士论文

【摘要】：中国的花鸟画艺术，有着深厚的民族文化内涵。写意花鸟画是中国人用传统绘画语言“笔墨”描写个体对艺术意象的审美追求，是民族传统优秀艺术，，东方绘画独特表现形式之一。我们今天所称的传统工笔花鸟画是宋代院体勾勒、渲染、填彩派的延续。其画法可分淡彩与重彩。淡彩，是指用有意味的工致线条造型，淡墨敷染，并罩淡彩水色，取得雅淡、清新、幽逸的效果。重彩，则在淡彩的基础上，赋上有复合能力的重彩色调，使对象有厚重、辉煌、富丽的感觉。中国写意花鸟画从明徐渭到清八大山人，直至发展到近现代潘天寿等大家已取得了辉煌的艺术成就，对现代工笔花鸟画创作有极佳的借鉴作用。
[Abstract]:The art of flower and bird painting in China has profound national cultural connotation. Freehand flower-and-bird painting is a Chinese traditional painting language "brush and ink" to describe the individual aesthetic pursuit of artistic image, is a national traditional excellent art, one of the unique forms of Oriental painting. What we call traditional flower-and-bird paintings today is a continuation of the Song Dynasty style of painting, rendering and filling. Its painting method can be divided into light color and heavy color. Light color, refers to the use of meaningful industrial line modeling, light ink dye, and cover light color water color, to achieve elegant, fresh, quiet effect. Heavy color, on the basis of light color, on the complex ability of the heavy color tone, so that the object has a thick, brilliant, rich feeling. Chinese freehand brushwork flower-and-bird painting from Ming Xu Wei to Qing eight mountain people, until the development of modern Pan Tianshou and other people have made brilliant artistic achievements, which has a very good reference for modern fine brushwork flower-and-bird painting creation.
【学位授予单位】：江西科技师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

【参考文献】