宋元龙舟题材绘画研究——寻找张择端《西湖争标图》卷

发布时间：2018-06-13 23:12

本文选题：张择端《西湖争标图》卷 + 南宋《金明池争标图》页　；参考：《故宫博物院院刊》2017年02期

【摘要】：天津博物馆藏《金明池争标图》页展现了南宋人描绘龙舟图像的基本模式,而张择端《西湖争标图》则是元代宫廷画家探知北宋金明池竞渡的形象之源。据元人杨准题跋,1351年之前,张氏《西湖争标图》应与《清明上河图》一起尚收藏在元内府。作者认为,元代《龙舟夺标图》(故宫博物院藏)临摹了张择端《西湖争标图》卷的高潮部分,作者极有可能是宫廷画家王振鹏,这一范式影响到元代多本此类题材的作品。该文试图通过捕捉《清明上河图》所折射出的信息,寻找其姊妹篇《西湖争标图》(已佚)的画面形态,梳理宋元龙舟竞渡题材的演变历程。
[Abstract]:The pages of Jinmingchi dispute in Tianjin Museum show the basic pattern of the Southern Song Dynasty people depicting dragon boat images, while Zhang Qiduan's West Lake contest is the source of the Yuan Dynasty court painters' understanding of the image of Jin Mingchi's race in the Northern Song Dynasty. According to the Yuan Dynasty Yang Zhiji postscript, before 1351, Zhang's "West Lake dispute" should be kept together with "Qingming River" in the Yuan Dynasty. The author thinks that the Palace Museum Tibet copied the climax part of Zhang Qiduan's bid for the West Lake in Yuan Dynasty, and the author was probably Wang Zhenpeng, a palace painter, which influenced many works of this kind in Yuan Dynasty. This paper attempts to capture the information reflected in the Ching Ming River Map, to find out the picture form of its sister article, "the West Lake contest" (lost), and to sort out the evolution of the theme of dragon boat race in Song and Yuan dynasties.
【作者单位】：故宫博物院研究室;

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