戴士和油画语言研究

发布时间：2018-06-15 03:16

本文选题：戴士和 + 油画语言　；参考：《山西大学》2013年硕士论文

【摘要】：写意油画在近代发展较为迅速,它独特的艺术风格和创作手法是画家学习研究的不竭动力。戴士和正是其中最具代表性的画家之一。他主动的吸取中国传统绘画中的写意精神不断丰富自己的画面语言深度,在构图、造形、色彩的各个层面上都正在逐步形成他与众不同的美学价值追求。他用西方油画艺术的写生方法来表达中国传统绘画中的写意精神,把中国传统绘画中的笔墨元素融入油画创作写生之中,这形成了他别具一格的创作风格。他的创作成就对于中国油画语言的民族化脚步的推动是毋庸置疑的。而作为一名美术教育者,他编著的《写意油画教学》是中央美术学院规划教材,他的油画理论也是被国家高校美术教育所认可的。因此,研究戴士和油画语言具有深远的意义。本文首先论述了研究戴士和油画语言的目的及意义；其次,研究戴士先生的创作风格；再次,在研究戴士和油画语言的规范性与个性的基础上,分别从油画语言的三个基本单元——构图、造形、色彩着手,分析戴士和油画语言的特色,并对其相关代表作进行分析。最后,从戴士和的油画作品及其油画语言表达寻找一种启示,从而总结出戴士和油画语言的特色对中国油画语言民族化的推动意义。
[Abstract]:The freehand painting has developed rapidly in modern times. Its unique artistic style and creative technique are the inexhaustible motive force of the study of the painter. Dai and is one of the most representative painters. He actively absorbs the spirit of painting in traditional Chinese painting to enrich his picture language depth, in the composition, shape, and color of the various layers. He has gradually formed his distinctive aesthetic pursuit of aesthetic value. He expressed the spirit of freehand painting in traditional Chinese painting by using the painting method of Western oil painting, and incorporated the ink elements of traditional Chinese painting into the painting of oil painting, which formed his unique style of creation. His creative achievements were for Chinese oil painting. The promotion of the footsteps of the nationalization of the language is beyond doubt. As an art educator, his "painting teaching" is a planning textbook of China Central Academy of Fine Arts. His oil painting theory is also recognized by the National University of art education. Therefore, the study of Dai and oil painting language has far-reaching significance.
This article first discusses the purpose and significance of studying the language of Dai and oil painting. Secondly, it studies the style of Mr. Dai's creation, and again, on the basis of studying the standardization and personality of Dai and oil painting language, the characteristics of the language of Dai and oil painting are analyzed from the three basic units of oil painting language: composition, shape and color. In the end, we find out a kind of inspiration from the paintings and oil painting language of Dai Shi, and then summarize the significance of the characteristics of Dai and oil painting language to the nationalization of Chinese oil painting language.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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