试论《梦溪笔谈》中“造理入神”在宋代人物画中的体现

发布时间：2018-06-15 13:04

本文选题：《梦溪笔谈》 + 造理入神　；参考：《中国美术学院》2014年硕士论文

【摘要】：80多年以来,不同领域的人士从各自专业角度对宋代沈括的笔记体著作《梦溪笔谈》进行了广泛的探讨与研究。在这个大背景下,《梦溪笔谈》卷十七中提到的“造理入神”一词引起笔者的注意,发现对该词的解读有必要进行深一步的探究,如所谓“造理”是指何理,以及与“入神”的关系等问题。当代中国人物画论大多把笔墨放在“神”方面,而在谈“理”方面则颇为疏远。本文由“造理”一词在宋代相对频繁的使用情况联系宋代人物画以反映现实生活为主要特点的同时,试图挖掘下能反映出“造理入神”,关乎画者内心的智慧方式的作品。在撰写时将结合宋代的时代背景、思想意识,举例宋代具有代表性的人物画作品来体会“造理入神”之意蕴,及其对我们中国画的重要性,以此得到一些对当下绘画创作有意义的启示。
[Abstract]:For more than 80 years, people in different fields have extensively discussed and studied Shen Kuo's note-writing in Song Dynasty from their own professional point of view. Against this background, the word "making reason into God" mentioned in Volume 17 of "Mengxi Pen Tale" attracts the attention of the author. It is found that it is necessary to make a further exploration into the interpretation of the word, such as what reason means by "making reason". As well as the relation with "absorbed spirit" and so on. Contemporary Chinese painting theory mostly puts pen and ink on the aspect of "God", but rather alienates in the aspect of talking about "principle". Based on the relatively frequent use of the word "making reason" in the Song Dynasty, this paper tries to excavate the works which can reflect "making reason into mind" and relate to the intelligent way of the artist's heart, while combining the characters of figure painting of Song Dynasty with the reflection of real life. In writing, we will consider the background and ideology of the Song Dynasty, give examples of the representative paintings of the Song Dynasty to understand the meaning of "making reason into mind," and its importance to our Chinese painting. In order to get some meaningful inspiration to the current painting creation.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】