精神的物化—论文人山水画中的道与艺

发布时间：2018-06-15 17:20

本文选题：文人画 + 山水画　；参考：《鲁东大学》2014年硕士论文

【摘要】：中国绘画紧密的联系着中国文化。中国文化有其固有的特点，那便是在流动着生命的世界中把握那永恒和不变的本质。这句话我们同样也可反过来理解，从中国古代精神文化的代表绘画诗文中；在这些已经固定着的艺术精品或华美辞藻中，我们也可以体味出那激情涌动、暗波沉浮的生动世界，这便是古人心中的宇宙。而从艺术直达心灵无疑是我们对于传统文化最好的梳理方式。人们常提到借古以开今，在现今世界中无论如何创新，我们都不能失去了传统。传统必然是那“连朝浓雾如铺絮”中的一座灯塔指引着前行的方向。文章试图以道与艺之间的联系来分析作品与绘画者内心关联。易经有云：“形而上者谓之道，形而下者谓之器。士大夫这个群体由政治介入到了艺术。这在中国绘画史上是意义重大的，从某些程度上说，这甚至改变了中国绘画自身演变的规律，而让其在世界艺术之林中有了自己独特的面貌和地位。所以本文以文人画尤其是能表达文人心性的山水画为切入点，尝试分析文人在调节道与艺关系中所扮演的重要角色，，并以“精神的物化”这一概念诠释精神和物质之间的有机互动。而精神的物化通过文章的论证能以：“即人之精神思想以具体客观物质的形式表现出来”这样相对笼统的概念来陈述。而通过对精神的几层涵义的分析我们可以深入发掘，在古代，思维构建对整个社会文化发展所起到的重要作用。然而道与艺（器）实际上并不是相分离的，而是紧密相连的。而将两者相联系的就是：文人通过直击心灵深处，将人类最本真的情感转移到绘画作品之上。这便是他们所遗留下来的宝贵艺术财富，而将这些宝贵财富分析利用发扬，不仅仅是弘扬中国文化而且也是为现今的艺术发展寻求内在的规律，将有着几千年内涵的人文精神继续以物化的形式传承下去的必要途径。
[Abstract]:Chinese painting is closely related to Chinese culture. Chinese culture has its inherent characteristics, which is to grasp the eternal and invariable essence in the world flowing with life. This sentence can also be understood in reverse, from the poetry and prose of the representative painting of ancient Chinese spiritual culture; in these already fixed fine works of art or beautiful rhetoric, we can also appreciate the vivid world of passion surging, dark waves floating, and ups and downs. This is the universe in the heart of the ancients. And from the art to the soul is undoubtedly our best way of combing the traditional culture. It is often said that in today's world, no matter how innovative we are, we cannot lose tradition. Tradition is bound to be the direction of a lighthouse in the fog. This paper attempts to analyze the inner connection between works and painters by the relationship between Tao and art. There is a cloud in the Book of changes: "the metaphysical is the Tao, and the lower is the instrument." The group of literati and bureaucrats moved from politics to art. This is of great significance in the history of Chinese painting. To some extent, it has even changed the law of the evolution of Chinese painting itself, and made it have its own unique appearance and status in the world art forest. Therefore, this paper tries to analyze the important role of literati in regulating the relationship between Taoism and art by starting with literati paintings, especially landscape paintings, which can express the literati's heart. The organic interaction between spirit and matter is explained by the concept of "materialization of spirit". The materialization of the spirit can be described by the relatively general concept of "the spiritual thought of the human being is manifested in the form of concrete and objective material" through the argumentation of the article. Through the analysis of several levels of spiritual meaning, we can explore in depth, in ancient times, the construction of thinking plays an important role in the development of the whole society and culture. However, Tao and art are not actually separated, but closely linked. The connection between the two is that the literati transfer the most genuine emotion of mankind to the painting works through the direct attack of the soul. This is their legacy of valuable art wealth, and the analysis and development of these precious wealth is not only to promote Chinese culture, but also to seek the internal law for the development of today's art. The humanistic spirit with the connotation of thousands of years will continue to be passed down in the form of materialization.
【学位授予单位】：鲁东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【共引文献】