试论油画艺术中的朴拙美

发布时间：2018-06-16 12:29

本文选题：油画作品 + 朴拙美　；参考：《新疆师范大学》2014年硕士论文

【摘要】：庄子用“朴素而天下莫能与之争美”昭示了其独特而又高深的审美观，“朴素而天下莫能与之争美”同时阐述出了“朴素”美学观的的基本思想内涵。朴拙美是一种自然高妙的艺术美，即真挚、质朴、天真，是众多美感中独特高深而出类拔萃的美。“朴”强调美的不露雕饰，不加外饰，是不现雕凿痕迹的“第二自然”。而以“拙”为巧、以“拙”为工，“拙”是有意识的单纯。“拙”体现出一种轻人为、师造化的艺术创作观与审美观。“朴拙”之美所体现出的是自然浑成、不露雕饰的艺术美。这一命题包括去机心重偶然，去技巧重天然等内容。《老子·四十五章中》也是提出“大直若屈，大巧若拙，，大辩若讷”的观点。这种辩证的哲学观，虽本意并非在审美，但美学处于哲学的分支，这种辩证法同时适用于审美范畴，老子所说的“巧”与“拙”，体现的是艺术的和谐观，道出了“巧”与“拙”在艺术创作中相互依存、相渗相融的辩证关系。朴拙美是真挚是朴实，是艺术领域所遵循亘古不变的永恒准则，它在绘画领域中的重要性尤为突出，古今中外众多深具朴拙美这一审美特征的经典油画作品以它独特的艺术张力以及艺术感染力，带给我们前所未有的共鸣与感动。深入这些经典油画作品，不难发现，他们的共同点，题材上贴近平实的生活，造型上率真、质朴，色彩上更是随性、烂漫，还有艺术家艺术情感的真诚表达。“朴拙”之美在油画中给予了画面淳朴自然的美感，朴素、真实的主观情感表达加之艺术家们对生活中朴实题材的描绘，和艺术家们各自独特的艺术张力和艺术感染力，使得这些油画作品格外的打动人心。艺术家们诚实的再现内心感受，这些作品无一不透露出艺术家们真挚、质朴的艺术情感。这种高妙的艺术美感无论在何时代，也无论在何地都不曾过时，也不因地域差异而有所不同。只要是真挚的就是能打动人的，而今这种美感出旧而入新，经历了时间的积淀而更显得熠熠生辉，这些油画作品在纷扰躁动的时代带给观摩者的不仅仅是艺术上的感动，也带给观摩者自身对生活的感悟。这些油画作品带给我们的是从视觉上的冲击到心灵的撼动，这也正是艺术家“朴拙”的品质才赋予了作品永不殒灭的魅力。
[Abstract]:Zhuangzi showed his unique and profound aesthetic sense by "simple but the world can not compete for beauty", and elaborated the basic ideological connotation of the aesthetic view of "simplicity" at the same time. Simple beauty is a kind of natural and exquisite artistic beauty, that is, sincere, simple, naive, and unique and outstanding beauty among many aesthetic senses. "Park" emphasizes the beauty of the sculpture, no external decoration, is not carved chisel trace of the "second nature." And to the "clumsy" as a skillful, "clumsy" for the work, "clumsy" is conscious simplicity. "Bad" embodies a kind of light man-made, teacher-made view of artistic creation and aesthetics. The beauty of simplicity embodies the artistic beauty of nature and unexposed sculptures. This proposition includes the following contents: to take advantage of chance, to lay stress on skill, and so on. Chapter 45 of Laozi also puts forward the point of view of "being outspoken, skillful and clumsy, arguing like a dull man". This dialectical philosophy is not intended to be aesthetic, but aesthetics is a branch of philosophy. This dialectics is applicable to aesthetic category at the same time. What Laozi said "skillful" and "clumsy" embodies the harmonious view of art. The dialectical relationship between skillful and clumsy in artistic creation is described. The beauty of simplicity is sincere and simple, and it is an everlasting norm in the field of art, and its importance in the field of painting is particularly prominent. With its unique artistic tension and artistic appeal, many classic oil paintings with profound aesthetic characteristics have brought us unprecedented resonance and emotion. Go deep into these classic oil paintings, it is not difficult to find that their common ground, the subject matter close to the plain life, the shape of the straightforward, simple, color is more random, artless, and the artist's artistic feelings of sincere expression. The beauty of "simplicity" in the oil painting gives the picture simple and natural beauty, simplicity, real subjective emotion expression and the artist's depiction of the simple subject matter in life, and the artists' respective unique artistic tension and artistic appeal. Make these oil paintings particularly touching the hearts of the people. Artists truthfully reproduce their inner feelings, all of which reveal their sincere and simple artistic feelings. This exquisite aesthetic sense of art has never been out of date, no matter where it is, and it does not vary from region to region. As long as it is sincere, it can move people, but now this aesthetic feeling is old and new, and has experienced the accumulation of time and is even more brilliant. These oil paintings bring not only artistic touch to the viewers in the turbulent and restless times, It also brings to the viewer his own perception of life. These paintings bring us from the impact of vision to the mind, this is the artist's "honest" quality of the work endlessly enchanted.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J213

【参考文献】