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浅谈创作中绘画语言与人物精神表达的关系

发布时间:2018-06-16 16:36

  本文选题:精神 + 绘画语言 ; 参考:《吉林艺术学院》2017年硕士论文


【摘要】:油画创作中人物的精神表达一直是贯穿画面的主题,对于绘画作品来说,画家所描绘的对象与他所独有的绘画语言之间有着一定程度上的相似性,这种相似性是画家在长期实践过程中探索出来的。作品中所营造人物形象的精神反应是至关重要的,这种精神的传达也要求作者的绘画技法在气质上与之一致。真正的艺术家,在艺术语言上应当具备敏锐的感受力和对当代艺术发展的整体观察,重视精神性的表达也是油画在中国发展多年形成的特点。在油画的创作中要重视个人绘画语言的探索,在提高作品艺术审美价值的同时,画面所要表达的精神内涵要与绘画语言的表现力相契合也是很重要的,只有这种契合关系才能使作品的主题鲜明,画面更加富有表现力与精神内涵。
[Abstract]:The spiritual expression of characters in oil painting has always been the theme running through the screen. For painting works, there is a certain degree of similarity between the objects described by the painter and his unique painting language. This similarity was explored by painters in a long-term process of practice. The spiritual reaction of the characters created in the works is very important, and this spirit communication also requires the author's painting techniques to be in line with their temperament. A true artist should have a keen sense of artistic language and an overall observation of the development of contemporary art, and pay attention to the expression of spirit is also the characteristics of oil painting development in China for many years. In the creation of oil painting, we should pay attention to the exploration of individual painting language. While improving the aesthetic value of the works, it is also very important that the spiritual connotation of the picture should be consistent with the expressive power of the painting language. Only by this kind of fit can the theme of the work be distinct and the picture be more expressive and spiritual.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J204

【参考文献】

相关期刊论文 前2条

1 张红梅;;意象化境——刘大明油画释读[J];中国油画;2009年06期

2 徐夏林;;现代油画的表现——情感的注解[J];美与时代;2006年01期



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