北宋巨嶂式风格山水画研究

发布时间：2018-06-17 07:39

本文选题：北宋山水 + 巨嶂式　；参考：《河北大学》2014年硕士论文

【摘要】：北宋山水画是中国山水画发展史上的巅峰，中国山水画以北宋山水为奠基，历代山水画多取法于宋，其中最具代表性的就是北宋巨嶂式风格山水画。由于其在山水画发展史上的地位与对后世山水画创作的影响，本文从山水画创作的角度出发，对北宋巨嶂式山水的产生因素，及发展规律和北宋巨嶂式山水风格特征进行研究，希望得出的结论可以对现代山水画创作提供参考。本文首先从北宋巨嶂式山水画的产生因素进行分析：1、五代时期成熟的山水画与山水画论已经形成体系，荆浩与关仝所开创的雄伟风格产生的巨嶂式构图山水；2、李成对于北宋巨嶂式山水画的引导作用；3、北宋高度发达的精神文明和物质文明社会环境为山水画创作提供了良好的基础。然后以历史为线索将北宋巨嶂式山水划分为三个阶段，北宋早期巨嶂式山水代表人物范宽与燕文贵；北宋中期巨嶂式山水代表人物许道宁、郭熙与王诜；北宋末期巨嶂式山水代表人物李唐。对所在时期内代表人物的巨嶂式山水画作及进行梳理，并选取不同时期内的典型北宋巨嶂式山水画作作为范例，着重对其构图模式，用笔用墨、特点进行分析。在以上对不同时期北宋巨嶂式山水画范例的研究作为论点，，得到北宋巨嶂式山水的传承性与相同的地域性，及新儒学对于山水画创作的影响，得出北宋巨嶂式风格山水画的共性特征，所表现出来的山水画自然观及发展规律。
[Abstract]:The landscape painting of the Northern Song Dynasty is the peak of the history of the development of Chinese landscape painting. The Chinese landscape painting is based on the landscape painting of the Northern Song Dynasty, and the landscape paintings of the past dynasties are mostly drawn from the Song Dynasty, and the most representative of them is the Jungzhang style of landscape painting in the Northern Song Dynasty. Because of its position in the history of landscape painting development and its influence on the creation of landscape painting in later generations, this paper, from the perspective of landscape painting creation, studies the producing factors, the development law and the characteristics of the style of the mountain and water of Juzhang type in the Northern Song Dynasty. Hope the conclusion can provide reference for the creation of modern landscape painting. In this paper, we first analyze the factors of the generation of the Juchang landscape painting in the Northern Song Dynasty, the mature landscape painting and landscape painting theory in the five dynasties have formed a system, the magnificent style created by Jing Hao and Guan Tong has produced the giant mountain landscape composition; 2. Li Cheng played a leading role in the landscape painting of Juzhang style in the Northern Song Dynasty. The highly developed spiritual and material civilization social environment of the Northern Song Dynasty provided a good foundation for the creation of landscape painting. Then, taking the history as the clue, this paper divides the Gig-zhang type landscape of the Northern Song Dynasty into three stages: Fan Kuan and Yan Wengui, Fan Kuan and Yan Wengui, the representative figures of the mountains and rivers in the early Northern Song Dynasty, Xu Daning, Guo Xi and Wang Shen in the middle period of the Northern Song Dynasty; At the end of the Northern Song Dynasty, Li Tang was the representative figure of the great mountains and rivers. In this paper, the author combs and combs the representative figures of Juzhang type landscape painting in the period, and selects the typical Northern Song Juzhang type landscape painting as an example, and emphatically analyzes its composition mode, ink with pen and characteristics. In the above study of the different periods of the Northern Song Dynasty, as an argument, the inheritance and the same regional nature of the landscape of the Northern Song Dynasty, and the impact of Neo-Confucianism on landscape painting creation, The common features of the style landscape painting of the Northern Song Dynasty, the natural view of landscape painting and the law of its development are obtained.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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