当代水彩人物画现状及其价值突破

发布时间：2018-06-21 14:13

本文选题：水彩 + 人物画　；参考：《湖南师范大学》2013年硕士论文

【摘要】：作为视觉艺术的水彩人物画创作在当下充满了各种可能性,对于当代问题的发掘与描绘成了当代水彩人物画的主要表现内涵。同时,我们也对水彩人物画在中国的历程进行了简要的回顾,以及对于水彩人物画的生存现状进行了梳理。通过回顾与梳理,我们发现,当下的水彩人物画在研究方面是存在一定的提升空间的。诸如上述问题的存在,需要我们仔细探讨当下水彩画创作所存在的机遇与困境。通过水彩的传统概念与当下观念的对接,以及地域文化、个人经验对水彩人物创作的影响展开了具体的分析。又从当代水彩人物画对于姊妹艺术的借鉴、从多元拼贴的后现代文化、技法创作与综合应用等等的角度进行分析与挖掘。试图通过上述分析,为水彩人物画在当下的突破找到合理的出路。文章最后从整体的高度,对水彩人物画在当下,以及在整个水彩画历史中应处的位置进行了简要的分析,从而也完成了论文对于文章的总结。
[Abstract]:The creation of watercolor figure painting as a visual art is full of various possibilities at present, and the excavation and description of contemporary problems has become the main performance connotation of contemporary watercolor figure painting. At the same time, we also briefly review the history of watercolor figure painting in China, as well as the status quo of watercolor figure painting. Through reviewing and combing, we find that there is some room for improvement in the research of watercolor figure painting. Such as the existence of the above problems, we need to explore the current watercolor creation opportunities and difficulties. Through the traditional concept of watercolor and the current concept of docking, as well as regional culture, personal experience on the creation of watercolor characters launched a specific analysis. From the contemporary watercolor figure painting for sister art reference, from the plural post-modern culture, techniques and comprehensive application of the perspective of analysis and mining. Through the above analysis, the watercolor figure painting in the current breakthrough to find a reasonable way out. Finally, from the overall height, the watercolor figure painting in the present, and in the entire history of watercolor painting should be a brief analysis of the position, and thus completed the conclusion of the paper.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215

【共引文献】