论民国以来仕女画的流变

发布时间：2018-06-21 15:50

本文选题：仕女画 + 流变　；参考：《昆明理工大学》2014年硕士论文

【摘要】：仕女画作为中国画中的一个分支,已有几千年的历史,其意义更是不言而喻。历经春秋的萌芽,唐宋的兴盛,仕女画发展到明清开始逐渐没落,民国以来在内容和风格上又有了新的流变。本文在中国画范畴内,以民国以来的仕女画为研究对象,按照时间顺序,将其分为几个自然的历史段落,对其风格流变进行探讨。中西文化的交融、大众审美的变化、女性地位的提升、西式教育中素描的影响及学院教育等因素都与仕女画的流变有密不可分的关联。清末民初的仕女画风格由于社会文化背景的转变开始发生流变,文章从这个时期开始梳理；随后留学生归国潮流引发民国时期的仕女画呈现多样风格；建国十七年由于政治倡导,仕女画的题材及内容受到一定制约,风格技法追随传统；文革时期受政治因素影响,仕女画多表达女性英雄题材,红色被大量使用,人物特征变化较大；改革开放以来仕女画风格多样,写实特点显著,力图创新。本文根据以上四个历史时期,将仕女画的人物特征、题材内容及形式语言三方面作为研究其流变的切入点,结合不同学科的研究视角深入分析仕女画流变背后的原因,总结出社会文化背景对其流变的影响。笔者对四个主要时期的仕女画进行分析比较,探讨出形式流变而内蕴传承、画法画风创新为历代之最、审美视角多元化明显、受西方绘画影响较大、女性画家及作品涌现为民国以来仕女画的流变特点。另外,本文从女性审美角度分析了仕女画的美学价值,并探讨了其流变对当代仕女画创作的美学启示,以期对当代仕女画创作与研究提供借鉴。
[Abstract]:As a branch of Chinese painting, lady painting has a history of several thousand years, and its significance is self-evident. After the sprout of Spring and Autumn, the prosperity of Tang and Song Dynasty, the development of the painting of ladies began to decline gradually in the Ming and Qing dynasties, and there has been a new change in content and style since the Republic of China. This paper, in the category of Chinese painting, takes the painting of ladies and women since the Republic of China as the research object, divides it into several natural historical paragraphs according to the order of time, and probes into the evolution of its style. The blending of Chinese and Western culture, the change of popular aesthetics, the promotion of female status, the influence of sketch in western education and college education are closely related to the evolution of female painting. Due to the change of social and cultural background, the style of female painting in the late Qing Dynasty and early Republic of China began to change, the article began to comb from this period, and then the trend of returning students to the country led to a variety of styles of female painting in the period of the Republic of China. In the 17 years since the founding of the people's Republic of China, the subject matter and content of female paintings were restricted to some extent, and the style and techniques followed the tradition. During the Cultural Revolution period, influenced by political factors, the paintings of ladies and women mostly expressed female heroic themes, and the red color was widely used. Since the reform and opening up to the outside world, women painting style is diverse, realistic features are remarkable, trying to innovate. According to the above four historical periods, this paper takes the character characteristics, theme content and formal language as the breakthrough point to study the evolution of the painting, and analyzes the reasons behind the evolution of the painting from the perspective of different disciplines. The influence of social and cultural background on its evolution is summarized. The author analyzes and compares the female paintings of the four main periods and discusses the evolution of the form and the inheritance of the painting style. The creation of the painting style is the most of all the dynasties. The aesthetic angle of view is diversified obviously, which is greatly influenced by the western painting. The emergence of female painters and works is the changing characteristic of female painting since the Republic of China. In addition, this paper analyzes the aesthetic value of female painting from the angle of female aesthetics, and probes into the aesthetic enlightenment of its evolution on the creation of contemporary ladies' paintings, in order to provide reference for the creation and research of contemporary ladies' paintings.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

【参考文献】