纪实、前进—对新时期中国历史题材绘画的思考

发布时间：2018-06-21 16:26

本文选题：历史题材绘画 + 艺术家　；参考：《东北师范大学》2014年硕士论文

【摘要】：以历史题材为主体的油画创作源起欧洲,在20世纪初,因为先进知识分子的努力和革命社会形势的需要与我们这个以传统文化为主流的国家结缘。整个20世纪上半叶,中国历史风起云涌,这一艺术形式伴随着动荡的社会环境在艰难中曲折前行；新中国成立后,由于政治环境相对稳定和国家百废待兴的需要,历史题材绘画取得了较大发展,而后经历文革的洗礼,伤痕美术的思考,和85新潮后现当代艺术的冲击,现在历史题材绘画伴着新时期文化强国的春风再度复兴归来。回望近一百年历史题材绘画在中国的发展历程,是复杂的,是艰辛的,然而本文并不是要论述历史题材绘画的发展历程,而是通过这段复杂的艺术历史,去分析影响历史题材绘画的种种因素,根据同西方同中国古代历史题材绘画的多方面比较,去说明从事这类绘画艺术的艺术家作为一个特殊的群体在历史中和艺术中所扮演的角色关系。第一章开始直入主题的对新时期历史题材绘画复兴的价值和意义进行论述,并引述出艺术家在新时期以主体身份出现在艺术创作中的观点。第二章对中西方由古至今的艺术创作进行分析和探讨,例证出艺术家在新时期历史画创作中主体地位的历史由来和理论依据。并且分析了在新时期影响历史题材绘画创作的几个关键性因素,引发了对历史题材绘画的话语权的思考。第三章论证了艺术家在艺术创作的主体性方面有其不可替代的特征和作用。又从新时期艺术家的创作实践,思想变化以及与社会审美大众的文化交流等方面举例论证了艺术家在对历史画创作发展上面做出的不懈努力和非凡的艺术成就,同时说明艺术家作为主体应恪守的原则。第四章通过新时期具有代表性的艺术创作实例,分析历史画创作样式和艺术语言的变化,通过艺术语言的流变看艺术家主体地位的回归。在最后结语部分从历史绘画在新时期与外来文化的交流,面对艺术市场的冲击,同社会审美大众间的博弈等问题方面提出自己的思考,总结性的对新时期历史题材绘画的发展和它的明天进行展望。总而言之,历史题材绘画这一被奉为圭臬的艺术形式对于我们民族的文明传承和审美教育有着不可替代的重要意义,新时期历史题材绘画的复兴切合了时代的需求,艺术家在创作中的主体性符合了艺术潮流的发展,而属于艺术家的,属于历史题材绘画的明天必将更加辉煌。
[Abstract]:The oil painting with historical theme as the main body originated in Europe. At the beginning of the 20th century, because of the efforts of the advanced intellectuals and the need of the revolutionary social situation, we, the country with the traditional culture as the mainstream, were connected with each other. Throughout the first half of the 20th century, the history of China was surging, and this art form was twists and turns with the turbulent social environment. After the founding of New China, due to the relative stability of the political environment and the need for the country to flourish, Historical painting has made great progress, and then experienced the baptism of the Cultural Revolution, the reflection of scar art, and the impact of modern and contemporary art after 85 new trends. Looking back at the development of painting with historical themes in China in the past 100 years, it is complicated and arduous. However, this article is not to discuss the development of painting with historical themes, but through this complex art history. To analyze the various factors that affect the painting of historical subjects, according to the comparison between the Western painting and the painting of ancient Chinese historical themes in many aspects. To illustrate the role of artists in this art as a special group in history and art. The first chapter begins with the discussion of the value and significance of the revival of historical painting in the new period, and cites the point of view that the artist appeared in the art creation as the subject in the new period. The second chapter analyzes and discusses the artistic creation of China and the West from ancient to present, illustrating the historical origin and theoretical basis of the artist's main position in the creation of historical paintings in the new period. It also analyzes several key factors that influence the creation of historical painting in the new period, which leads to the thinking of the discourse right of historical painting. The third chapter demonstrates that artists have irreplaceable features and roles in the subjectivity of artistic creation. It also illustrates the artists' unremitting efforts and extraordinary artistic achievements in the development of historical paintings in terms of their creative practices, ideological changes and cultural exchanges with the social aesthetic masses in the new period. At the same time, it explains the principle that the artist should abide by as the subject. The fourth chapter through the representative artistic creation example of the new period, analyzes the historical painting creation style and the artistic language change, through the artistic language change to see the artist main body status return. In the last part of the conclusion from the historical painting in the new period and foreign culture exchanges, in the face of the impact of the art market, and the game with the social aesthetic public and other aspects of their own thinking. Summing up the development of historical painting in the new period and its future prospects. In a word, the art form of historical subject painting, which is regarded as the standard, has an irreplaceable significance for our nation's civilization inheritance and aesthetic education, and the revival of historical painting in the new period meets the needs of the times. The subjectivity of the artist in the creation accords with the development of the art trend, but belongs to the artist and the painting of the historical subject will be more brilliant tomorrow.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J209.2

【参考文献】