综合材料在当代工笔人物画中的价值

发布时间：2018-06-22 04:08

本文选题：综合材料 + 当代工笔人物画　；参考：《沈阳大学》2013年硕士论文

【摘要】：近些年来，美术界逐渐重视对综合材料的研究和应用。不少画家趣味尝试使用综合材料来达到“物”与“心”的和谐。为的是便于更充分地表达自己的艺术观念，展示自己的艺术风格。本文在对综合材料阐释的基础上分析综合材料在中西方绘画中的运用，通过第二章强调综合材料在当代工笔人物画中的定位，叙述了综合材料的运用它并不影响中国绘画的特点，坚守中国绘画这一优秀传统，而不应一味追求创新而否定中国画。之后对综合材料在当代人物画中的具体价值进行有益探讨，尤其是综合材料对工笔人物画的表现方式、语境、创作者和材料间彼此作用的影响做出解析。当代工笔人物画运用综合材料的目的是在传统绘画的基础上拓宽绘画语言的表现力，所以文章的重点部分从四个方面来阐述综合材料在当代工笔人物画中存在不可或缺的价值。首先，综合材料丰富了表现技法，剖析绘画材料的变化和表现技法的呈现。其次，描叙材料的肌理美和质感美对视觉语言扩展的一种延伸。再次，经过对综合材料自身的情感特征、材料色彩的情感个性和材料给予的情感体验阐明了综合材料对情感的宽度和深度的新体现。最后，，简述综合材料文化性和综合材料的文化现代性如何使综合材料文化的现代意义加强。
[Abstract]:In recent years, the art community has gradually attached importance to the research and application of synthetic materials. Many painters try to use comprehensive materials to achieve harmony between object and heart. In order to more fully express their artistic ideas, show their artistic style. Based on the interpretation of comprehensive materials, this paper analyzes the application of comprehensive materials in Chinese and western painting, and emphasizes the orientation of comprehensive materials in contemporary meticulous figure painting through the second chapter. The application of comprehensive materials does not affect the characteristics of Chinese painting. It adheres to the excellent tradition of Chinese painting and should not blindly pursue innovation and negate Chinese painting. Then the concrete value of comprehensive material in contemporary figure painting is discussed, especially the expression mode, context and the influence of the creator and material on the meticulous figure painting. The purpose of the use of comprehensive materials in contemporary meticulous figure painting is to broaden the expressive power of painting language on the basis of traditional painting, so the emphasis of this article is to expound the indispensable value of comprehensive materials in contemporary meticulous figure painting from four aspects. First of all, the comprehensive material enriches the performance techniques, analyzes the changes of painting materials and the presentation of performance techniques. Secondly, it describes a kind of extension of the beauty of texture and texture of material to the expansion of visual language. Thirdly, through the emotional characteristics of the material itself, the emotional personality of the material color and the emotional experience given by the material, the new embodiment of the width and depth of the emotion is clarified. In the end, the author briefly describes how the cultural modernity of comprehensive materials strengthens the modern significance of comprehensive material culture.
【学位授予单位】：沈阳大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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