从耆老雅集到图像旌表——《睢阳五老图》与北宋士人肖像观念研究

发布时间：2018-06-26 10:57

本文选题：耆老雅集 + 士人　；参考：《美术学报》2016年01期

【摘要】：作为一件流传有绪且具有明确像主身份的北宋前期肖像画作品——《睢阳五老图》是了解该时期肖像画艺术及文人活动的重要史料。本文通过对士人肖像相关活动的考察,试图说明北宋士人对于肖像基本采取参与、接受的态度。肖像成为日常礼俗活动的一部分,体现了前理学时代士人对于自我肖像和理想人生状态的关注。与此同时,在辨析唐宋之间肖像画与寺院、生祠的内在关联的基础上,结合图像材料和传世文献对此类画卷的文化脉络和社会习俗类型作进一步考察,从而达致探究肖像画如何从佛教寺院环境走出,进入士人的礼仪空间和社会活动的历史动向的研究目的。
[Abstract]:As one of the portraits of the early Northern Song Dynasty with a clear identity, Suiyang's five Old Pictures are important historical materials for understanding the art of portrait painting and the activities of literati in this period. Based on the investigation of the activities related to the portrait of the scholars, this paper tries to explain that the scholars of the Northern Song Dynasty basically take the attitude of participation and acceptance of the portrait. Portraits become a part of daily ritual activities, which reflects the scholars' concern about self-portrait and ideal life state in pre-Neo-Confucianism era. At the same time, on the basis of discriminating the inherent relation between portrait painting and temple between Tang and Song dynasties, combined with the image material and the historical documents, the author makes a further investigation on the cultural context and the social custom type of this kind of picture scroll. The purpose of this study is to explore how portraits come out of the Buddhist temple environment and enter the ceremonial space of scholars and the historical trend of social activities.
【作者单位】：复旦大学文史研究院;关山月美术馆;
【基金】：广州美术学院“创新强校工程”“优秀硕士论文后续资助计划”(编号:604160205)资助成果
【分类号】：J212

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