“缘情寄物”探索山林之美

发布时间：2018-06-26 22:23

本文选题：缘情寄物 + 树木山林　；参考：《上海师范大学》2014年硕士论文

【摘要】：组成中国山水画的要素除了山石与水更重要的应该是树木山林和植物。一幅经典山水画作品如果没有树木山林和植物的相衬是无法想象该有多奇怪，更就谈不上是一幅完整的山水画作了。历代山水画大家无不重视对树木山林的表现。从五代的赵干、北宋李成、范宽、郭熙和元代“四大家”、明代“四大家”到清代“四王”无不都是画树木山林的高手,这一点足以证明树木山林在中国山水画题材上的重要性。如何观察自然界的树木山林，，一般来说无非有两个角度，一个是从远处；从整体上去观察，一个是从近处；从细部上去观察。中国山水画有平远.高远和深远“三远”观察角度。由于观察角度的不同加之观察人的心境不同而认识也就不同。谈论树木山林之美，不妨探究一下其在色彩、形象、韵味、气味及声音等方面的表现,构成一片树木山林其基本基调（色调）是绿色的美；点、线、面的结合构成空间形式上的美；中国画以线条为主体,构画树木山林其力量、稳定、刚劲、挺拔并结合书法艺术的干、湿、浓、淡，可突然、断续、转折等手法将树木山林之韵味淋漓尽致的得以表现。此外,树木山林之形状组成的外部轮廓与有可感知的体态形成了高低错落的形态美；随风而动的树木山林在不同的季节中其韵味能感觉到芳香的气味,清新的空气,同时,树木山林在自然界中发出的各种声音无不都是艺术家的完美素材。在大自然的四季中，树木山林有着不同的表现，季季精彩，季季不同。春季的浪漫；夏季的大度；秋季的时尚；冬季的潇洒。四季的树木山林千变万化，更有寒风中的各种形态；大雪衬托烘托下的艳姿、雪雾中的美感、阳光折射下的英姿、与雪共舞的动感、晨雾中的朦胧、近视中的肌理与穿插、远视下的渺茫与浑然，让人陶醉……
[Abstract]:The elements of Chinese landscape painting in addition to rocks and water should be more important trees, mountains, forests and plants. It is impossible to imagine how strange a classic landscape painting would be without the contrast of trees, mountains, forests and plants, let alone a complete landscape painting. The past generations of landscape painting everyone attached importance to the performance of trees, mountains and forests. From Zhao Gan in the five dynasties, Li Cheng in the Northern Song Dynasty, Fan Kuan, Guo Xi and the "four major houses" in the Yuan Dynasty, and the "four great houses" in the Ming Dynasty to the "four kings" in the Qing Dynasty, they are all experts in drawing trees, mountains and forests. This is enough to prove the importance of trees and forests in the subject matter of Chinese landscape painting. Generally speaking, there are only two angles to observe the trees and forests in nature, one is from the distance, the other is from the near, the other from the detail. Chinese landscape paintings are flat. Gao Yuan and far-reaching "three far" angle of view. Because the observation angle is different and the observation person's state of mind is different, the understanding is also different. When you talk about the beauty of a tree forest, you might as well explore its expression in color, image, charm, smell, sound, etc., to form a tree forest whose basic tone (tone) is the beauty of green; dot, line, etc. The combination of surfaces constitutes the beauty of space form; Chinese painting takes lines as the main body, constructs trees, mountains, forests, its strength, stability, rigidity, straightness and combination with the dry, wet, thick, light, sudden and intermittent calligraphy art. Turning and other techniques will be the forest trees and the charm of incisively and vividly performance. In addition, the shape of the tree mountain forest forms the outer outline of the tree forest and the perceptible body forms the beauty of the high and low, and the trees that move with the wind can feel the scent of fragrance, the fresh air in different seasons, and at the same time, All kinds of sounds made by the forest in nature are the perfect material for the artist. In the four seasons of nature, the tree mountain forest has different performance, the season is wonderful, the season is different. The romance of spring; the magnanimity of summer; the fashion of autumn; the chic of winter. The trees and forests of the four seasons are everchanging, and there are various forms in the cold wind; the beauty of snow and fog, the dynamic of dancing with snow, the obscurity of morning fog, the texture of myopia, the beauty of the fog, the beauty of the snow, the motion of dancing with snow, the obscurity of the morning fog, and the texture and penetration of myopia. Long-sighted under the slim and complete, let a person intoxicated.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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