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意境论视角下的意象表现主义油画审美取向研究

发布时间:2018-06-27 12:50

  本文选题:意象表现主义油画 + 意境 ; 参考:《浙江师范大学》2013年硕士论文


【摘要】:油画是个舶来品,从它传入中国就存在着与中国传统文化相结合的任务。经过一代又一代人的努力,中国意象表现主义油画逐渐发展起来。目前,国内有相当一批人在进行意象表现主义油画的创作与研究,他们分别从不同的方面对意象表现主义油画进行了定位。本文是从中国传统美学思想———意境论的角度,从中华民族传统的审美价值论的角度阐述意象表现主义油画在中国的一个发展脉络,探讨意境在意象表现主义油画中的体现。同时列举了几位画风迥异但在作品当中都满含传统东方神韵的中国画家,如赵无极、尚扬、徐福厚、刘南一、段正渠、侯吉明、陈子君等,通过分析画家的代表作品解读画家们背后对传统东方美学的深刻体悟与美学追求。在后半部分对意象表现主义油画绘画在现今国际、国内发展的潮流态势的展望及通过自己亲身的创作体悟来切身感悟意境在意象表现主义油画中的创造体现,最后总结意表绘画的诞生与发展是符合人们审美的期待的,意表绘画的发展是的必然趋势,对意象表现主义油画未来的发展充满期待。
[Abstract]:Oil painting is an import, from its introduction into China there is a combination of traditional Chinese culture. After generations of efforts, Chinese imagery expressionism oil painting gradually developed. At present, there are quite a number of people in our country are doing the creation and research of image expressionism oil painting, they have carried on the localization of the image expressionism oil painting from different aspects respectively. This article is from the Chinese traditional esthetics thought-the artistic conception theory angle, from the Chinese nation tradition esthetic value angle elaboration image expressionism oil painting in China a development vein, discusses the artistic conception in the image expressionism oil painting embodiment. At the same time, it lists several Chinese painters with different styles of painting but who are full of traditional oriental charm in their works, such as Zhao Wuji, Shang Yang, Xu Fuhou, Liu Nanyi, Duan Zhengqu, Hou Jiming, Chen Zijun, and so on. By analyzing the representative works of the painters, we can understand the deep understanding and aesthetic pursuit of the traditional Oriental aesthetics behind the painters. In the latter part, the author looks forward to the trend of the international and domestic development of imagery expressionism oil painting and the creative embodiment of artistic conception in image expressionism oil painting through his own creation and understanding. Finally, it is concluded that the birth and development of Italian table painting is in line with people's aesthetic expectations, and the development of Italy table painting is an inevitable trend, full of expectations for the future development of imagery expressionism oil painting.
【学位授予单位】:浙江师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前1条

1 汪裕雄;;意象与中国文化[J];中国社会科学;1993年05期



本文编号:2073972

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