边文进创作的艺术风格与特色—解析《三友百禽图》

发布时间：2018-06-28 16:44

本文选题：明代 + 花鸟画　；参考：《西北师范大学》2014年硕士论文

【摘要】：中国花鸟画从中晚唐形成渐已成熟，且成为独立的画科，具体分为设色和水墨两个画科。五代初宋出现了“徐”“黄”异体，黄筌和徐熙的花鸟画成为当时花鸟界的主要流派，达到了新的高潮。在两宋画院，，工笔花鸟画的发展也随即发生了巨大的变化，提倡花鸟画以工笔重彩为主，只有极少的一部分文人画家还依然延续着水墨花鸟的传统画法。明代前期，院体花鸟画也称工笔重彩花鸟画，在诸画坛中占主导地位。花鸟的创作以画院为中心，这时期画院中花鸟画的主要代表人物是边文进和吕纪。边文进为明初重要的宫廷花鸟画家，做人非常豁达，好学且有极好的文采。他继承南宋“院体”工笔重彩的传统与技法，其作品干净工整，清新雅丽，用笔细腻，色彩艳丽，高贵典雅。边文进所绘的《三友百禽图》是其所有作品中最具有宫廷花鸟典型特色的杰作，成作于永乐十一年（1413年），现藏于台北故宫博物院。作品画风技法精细并且富有很浓的装饰味道，构图呈全满式构图，非常茂密。画面中同时出现了岁寒三友——松、竹、梅三种植物，还有一百只禽鸟。每只鸟都描绘的非常细致入微，姿态各异、栩栩如生：有槭枝鸣唱而不与嬉闹者,有跳跃树梢择良木者,亦有叶下藏头漏尾难收者……。众鸟之中为勤者难于挥翅舞身,啄枯枝悠悠独悦,那些洁鸟只顾梳理羽翼哪有心思去搭理周边伙伴！如此百禽竟能各自为态，如若作者没有非常仔细的观察或着作者的观察能力达不到一定的水准，不具备精湛的画画技艺，就不可能创作出这一佳作。边文进是我喜爱的画家之一，他的作品对我的学习和创作帮助极大。
[Abstract]:Chinese flower and bird painting has matured gradually in the late Tang Dynasty and has become an independent painting subject, which is divided into two painting sections: color painting and ink painting. "Xu" and "Huang" appeared in the early Song Dynasty. Huang Quan and Xu Xi's flower and bird paintings became the main schools of flower and bird circles at that time, and reached a new climax. In the two Song Dynasty, the development of fine brushwork flowers and birds painting also took place the huge change immediately, advocated the flower and bird painting to take the meticulous brushwork heavy color primarily, only a few literati painters still continue the traditional painting method of the ink flower and bird. In the early Ming Dynasty, the flower-and-bird painting in the courtyard was also called the meticulous brushwork flower and bird painting, which played a leading role in the painting world. The creation of flowers and birds centered on the painting institute, in which the main representatives of the flower and bird paintings were Bian Wenjin and Lu Ji. Bian Wenjin was an important flower and bird painter in the early Ming Dynasty. He was very open-minded, studious and excellent in literature. He inherits the tradition and technique of meticulous brushwork in Southern Song Dynasty, his works are clean and neat, fresh and elegant, exquisite with pen, brilliant in color, noble and elegant. The picture of three friends and hundred birds by Bian Wenjin is the most typical masterpiece of all his works with the typical characteristics of court flowers and birds. It was made in Yongle eleven years (1413) and is now hidden in the Palace Museum, Taipei. Fine style and rich decorative taste, composition is full-full composition, very dense. At the same time, three friends-pine, bamboo, plum three plants, and 100 birds. Each bird is described in a very detailed, varied manner, lifelike: there are maple branches singing rather than frolicking, there are hopping treetops to choose good wood, but also leaves hidden under the head and tail difficult to collect. Among all the birds, it is difficult for the diligent to dance their wings, pecking at the withered branches long and alone, and those clean birds who only care about combing their wings have the heart to attend to their companions around them! If the author does not have very careful observation or the author's observation ability can not reach a certain standard, without exquisite painting skills, it is impossible to create this masterpiece. Bian Wenjin is one of my favorite painters. His works are of great help to my study and creation.
【学位授予单位】：西北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

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