当代湖北写意重彩画的色彩表现

发布时间：2018-06-29 01:07

本文选题：当代 + 湖北　；参考：《华中师范大学》2014年硕士论文

【摘要】：当代湖北写意重彩画是在多元文化的背景下发展起来的,地域元素突出,秉承了楚文化的浪漫主义元素,扎根传统中国艺术之精髓,写意性重彩为其艺术形式主要特征之一,但是其内涵远不止于其字面意义。对中西艺术兼容并蓄,游走于传统与现代之间,色彩的大量引入颠覆了传统水墨的用色法则,而色彩构成与表现更是突破传统重彩画的面貌,在当代中国画中具有重要地位。本文是以个案研究为主要方法,通过图像作品的分析和总结,阶段性的探究当代湖北写意重彩画的色彩表现,以期能指导自己的创作并对当代湖北写意重彩画现阶段的作品色彩特征及其色彩创作理念进行的梳理和总结。第一章是对当代湖北写意重彩画色彩的概述：对当代写意重彩画概念的鉴定；对当代多元文化语境下的中国画创作现状分析,以探究当代湖北写意重彩画色彩表现的时代背景及其产生的时代意义；对湖北写意重彩画的历史发展和现阶段呈现的基本面貌概述,了解当代湖北写意重彩画的基本成型过程；对当代湖北写意重彩画色彩创作理念的简要概述是对当代湖北写意重彩画发展到现阶段的创作理论总结,以了解当代湖北写意重彩画的色彩所呈现的状态。第二章是对中国传统绘画与当代湖北写意重彩画的比较研究,从色彩的角度分析当代湖北写意重彩画对传统中国画的继承与拓展。当代湖北写意重彩画继承了传统重彩画的色彩特性,对传统重彩画的色彩理念和色彩技法进行了再认识和再创造。同时解放了传统对于色彩的束缚,色彩情感的解放、色彩笔墨的重置、色彩技法上的突破创新,开拓了全新的审美空间。第三章是该论文的重点章节,对当代湖北写意重彩领域的代表画家朱振庚、钟孺乾、聂干因、戴少龙的个案研究和作品分析。将其色彩表现的特点归为四点：1.保持民族文化传统之精神,汲取民间艺术之精华,再赋予现代性的转换。2.消解传统重彩的固定模式,从传统美学的理性理念中突破出来,理性地借鉴外来艺术,强调色彩视觉的张力。3.重视对制作的实验性探索。4.强调当代重彩的个性表现,以更加自由、宽泛的心态确立自己的探索角度和实验空间。通过对其色彩的表现进行研究,并分析其当代意义,以把握当代湖北写意重彩画的色彩表现概貌。第四章是自我实践经历的总结,通过自身对当代湖北写意重彩画的技巧和理念进行实践性的尝试,有意识的掺入自己的思想和元素,是对当代湖北写意重彩画创作理念和色彩实践的再体验,同时也是自己学习实践过程中的经验之谈。
[Abstract]:The contemporary Hubei freehand painting is developed under the multicultural background, with prominent regional elements, the romantic elements of the Chu culture, the essence of traditional Chinese art, and one of the main features of its artistic form, but its connotation is far more than its literal meaning. Between tradition and modernity, a large number of colors have been introduced to subvert the color law of traditional Chinese ink and ink, and the color composition and performance are more breakthrough in the traditional heavy color painting, which has an important position in Contemporary Chinese painting.
This article is based on the case study as the main method, through the analysis and summary of the image works, to explore the color performance of the contemporary Hubei freehand painting, with a view to guiding his own creation and combing and summarizing the color features and the color creation ideas of the works at the present stage of the contemporary Hubei freehand color painting.
The first chapter is the overview of the contemporary Hubei freehand color painting color: the identification of the concept of contemporary freehand heavy color painting, the analysis of the present situation of Chinese painting in the contemporary multicultural context, in order to explore the times background and the significance of the times of the color expression of the contemporary Hubei freehand color painting; the historical development and the development of Hubei's freehand color painting. A summary of the basic features presented at this stage, the basic forming process of the contemporary Hubei freehand color painting; the brief overview of the contemporary Hubei freehand color painting color creation concept is the summary of the contemporary Hubei freehand color painting development to the present stage, in order to understand the state of the color of the contemporary freehand color painting in Hubei.
The second chapter is the comparative study of Chinese traditional painting and contemporary Hubei freehand color painting. From the point of view of color, it analyzes the inheritance and expansion of the traditional Chinese painting of contemporary Hubei freehand painting. The contemporary Hubei freehand color painting inherits the color characteristics of the traditional heavy color painting, and makes a recognition of the color concept and color techniques of the traditional heavy color painting. At the same time, it liberated the tradition of the shackles of color, the emancipation of color emotion, the reset of color and ink, the breakthrough and innovation of color techniques, which opened up a new aesthetic space.
The third chapter is the key chapter of this paper. The representative painter Zhu Zhengeng, Zhong and Nie, Nie dry, Dai Shaolong's case study and the analysis of the works in the contemporary Hubei. The characteristics of the color performance are classified as four points: 1. keep the spirit of the national cultural tradition, draw the essence of the folk art, and then give the transformation of the modern nature to.2.. The fixed pattern of traditional heavy color is broken out from the rational idea of traditional aesthetics, rationally drawing on foreign art, emphasizing the tension of color vision.3., emphasizing the experimental exploration of the production by.4., emphasizing the personality of contemporary heavy color, and establishing its own exploration angle and experimental space with a more free and broad mentality. To study the performance and analyze its contemporary significance, so as to grasp the general expression of color in contemporary Hubei freehand brushwork.
The fourth chapter is a summary of the experience of self practice. Through his own practical attempt at the techniques and ideas of the contemporary Hubei freehand painting, a conscious addition of his own thoughts and elements is a re experience of the creative ideas and color practice of the contemporary Hubei freehand painting, and the experience in the process of learning and practice.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】