从《归去来图》分析陈洪绶人物画的独异风格
本文选题:陈洪绶 + 人物画 ; 参考:《西安美术学院》2013年硕士论文
【摘要】:本文写作目的是通过对陈洪绶晚年的精品力作之一的《归去来图》作为个案解读,并以此为基点来分析陈洪绶如何将传统精神,时代气息,自我个性三者结合开创独树一帜的人物画变异风格以及其中的美学内涵对后世产生怎样的影响和启示这一问题进行深入研究,在研究过程中重点论证创作《归去来图》的背景故事和艺术特色作为切入点,,通过对陈洪绶的《归去来图》进行重点考察研究进而全面把握其人物画的变异画风,分别从简述陈洪绶忧愤耿直的一生;陈洪绶人物画变异风格产生的时代背景及其原因;陈洪绶的后学传派和对不同时代的启发性影响;结合陈洪绶人物画变异画风的艺术特征来分析对自身创作的启示和思考三大版块透析其中折射出来的陈老莲独特的美学定位和艺术精神。在关于陈洪绶人物画变异风格的影响和启示中,把老莲的人物画高古奇骇的艺术特色从造型、线条、构图三方面全面地进行剖析并与自身创作体验结合在一起进行深入分析,是本文的独到真诚之处,正是这样诚恳精细的理论结合实践的分析使陈洪绶独到人物画变异风格的解析更加具有鲜活的生动性,亦是本文作者内心最触动的感悟。虽然本文是对陈洪绶人物画的变异风格进行个案分析,但是陈洪绶那种深研古法结合时代的艺术精神在他整个艺术世界里所迸发出来的生命力是永恒存在的,他不拘一格降人才的从艺态度是值得所有习画者学习的。
[Abstract]:The purpose of this paper is to analyze how Chen Hongshou brings the traditional spirit and the atmosphere of the times through the interpretation of the "return to return", one of Chen Hongshou's masterpieces in his later years, as a case study. The combination of self-personality and the creation of a unique style of variation in figure painting, and how the aesthetic connotation of it affects and enlightens later generations, is studied in depth. In the course of the research, the background story and the artistic characteristics of the creation of "returning to the drawing" as the breakthrough point, through the study of Chen Hongshou's "returning to the drawing", it is necessary to comprehensively grasp the variation of the painting style of his figure painting. Respectively from a brief description of Chen Hongshou's worried life, the background of the variant style of Chen Hongshou figure painting and its causes, the school of post-school transmission of Chen Hongshou and its enlightening influence on different times; Combined with the artistic characteristics of the variant painting style of Chen Hongshou figure painting, this paper analyzes the inspiration and thinking of the creation of Chen Lao Lian, which reflects the unique aesthetic orientation and artistic spirit of Chen Lao Lian. In the influence and inspiration of the variation style of Chen Hongshou figure painting, the artistic characteristics of Lao Lian's figure painting high Gucci are comprehensively analyzed from three aspects of modeling, line and composition, and are combined with their own creative experience for in-depth analysis. It is the sincerity of this article, which makes the analysis of the variation style of Chen Hongshou's original figure painting more vivid and the author's most touching feeling. Although this article is a case study of the variant style of Chen Hongshou's figure painting, the artistic spirit of Chen Hongshou's age of deep research on the combination of ancient and legal methods is eternal in his whole artistic world. His unrestrained attitude towards talent is worth learning from all painters.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
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