当代中国工笔画的黑白设色研究

发布时间：2018-06-29 05:16

本文选题：当代工笔画 + 黑白形式　；参考：《江西师范大学》2014年硕士论文

【摘要】：唐宋时期的工笔画设色艳丽，画风雅致工细，元明清时期重写意，设色淡雅，近现代则受到中西文化交流的影响色彩丰富，形式多元。集合了前人艺术成果，当代工笔画的发展则可谓是在色彩、内容、形式上极具创新性的发展时期。本文从传统黑白设色工笔画和当代黑白设色工笔画着手，论述古今黑白设色工笔画在形式与内容上的不同，立足近五届全国美展的黑白设色工笔画和当代黑白设色工笔画作品（以北禅写真院画家和当代工笔画家喻慧、窦建波、杨宇）这一艺术现象入手，分析“黑白”在作品形式与内容中的协调关系以及画家对黑白的选择依据、表现手法，揭示人们的审美心理需求，探讨黑白极色在当代黑白设色工笔画中的使用渊源，，主要从老子的“五色令人目盲”和“阴阳图”等传统哲学和美学思想、“少即是多”的西方设计理念和以黑白关系为主的素描艺术这三方面来探讨黑白极色的使用渊源。探索当代黑白设色工笔画中的黑白在艺术创作活动中的形式规律，认识黑白极色在传统文化中的特殊性，关注其在当今画坛的存在现象并加强人们对传统形态新的探索，结合时代审美心理在黑白的艺术中寻找一条朴实的艺术道路。
[Abstract]:The fine brushwork of Tang and Song dynasties was colorful, elegant and fine. During the Yuan, Ming and Qing dynasties, the painting was easy and elegant, but in modern times it was influenced by the cultural exchange between China and the West in rich colors and diversified forms. Collection of previous artistic achievements, the development of contemporary fine brushwork can be described as color, content, form is a very innovative period of development. Starting from the traditional black and white painting and contemporary black and white painting, this paper discusses the difference between the form and content of the black and white painting. Based on the art phenomenon of black and white painting and contemporary black and white painting (North Zen Photography Academy painter and contemporary meticulous painters Yu Hui, Dou Jianbo, Yang Yu) of the National Art Exhibition of recent five years, This paper analyzes the harmonious relationship between the form and content of "black and white" and the basis of the painter's choice of black and white, reveals the aesthetic psychological needs of people, and probes into the origin of the use of black and white polar color in contemporary black and white painting. This paper mainly discusses the use of black and white color from the three aspects of Laozi's traditional philosophy and aesthetics such as "five colors are blinding" and "Yin and Yang Pictures", "less is more" and "less is more" and drawing art is mainly black and white. To explore the form law of black and white in contemporary black and white painting, to understand the particularity of black and white color in traditional culture, to pay attention to the existence of black and white color in the contemporary painting world and to strengthen people's new exploration of traditional form. Combine the aesthetic psychology of the times to seek a simple art road in black and white art.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】