明代仕女画与洛可可绘画中女性形象的比较研究

发布时间：2018-06-29 20:34

  本文选题：明代仕女画 + 洛可可绘画　； 参考：《吉林艺术学院》2017年硕士论文

【摘要】：明代仕女画处于传统仕女画的转折期,在功能上逐渐从教化功能转向世俗化,具有清秀羸弱的特点;18世纪的洛可可绘画也处于西方绘画的转折期,绘画作品中的女性形象从服务于宗教逐渐转向追求世俗享乐,具有风情娇媚的特点;二者在女性形象的刻画上都追求观赏性,使得女性形象都带有强烈的时代特色。本文针对明代仕女画和洛可可绘画作品的比较分析,基于明代仕女画和洛可可绘画中的女性形象探索与发现,研究作品中女性形象是如何逐渐进入转折期,以及转折后出现的新形式,最后将二者放在一起,通过绘画题材、形象表达以及艺术语言三方面比较二者之间的异同,探究明代仕女画和洛可可绘画中女性形象的时代特点以及美学价值。
[Abstract]:The painting of ladies in Ming Dynasty was in the turning point of the traditional painting, and gradually changed from the function of education to the secularization. The painting of Rococo, which had the characteristics of beauty and weakness, was also in the turning point of western painting in the 18th century. The female image in the painting works gradually changes from serving the religion to pursuing the secular pleasure, which has the characteristic of charming amorous feelings; both of them pursue the appreciation in the portrayal of the female image, which makes the female image have the strong characteristics of the times. Based on the comparative analysis of the female paintings of the Ming Dynasty and Rococo paintings, based on the exploration and discovery of the female images in the Ming Dynasty and Rococo paintings, this paper studies how the female images in the works gradually enter the turning point. Finally, put the two together and compare the similarities and differences between the two through three aspects: painting theme, image expression and artistic language. This paper explores the characteristics and aesthetic value of female images in Ming Dynasty and Rococo paintings.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J205

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