都市题材水墨人物画初探

发布时间：2018-06-30 22:06

本文选题：都市题材 + 水墨人物画　；参考：《中南民族大学》2013年硕士论文

【摘要】：‘85’新潮以来，现代水墨渐成气候。现代水墨从表达个人的特殊感受出发，更强调与时代、生活的互动，由此为水墨画的发展寻找到全新的增长点。在这当中，一个十分重要的现象就是：都市题材水墨人物画的出现。都市水墨作为现代水墨的一个分支，既不同于传统水墨也不同于写实水墨，以期用水墨的形式来表现现代都市生活特征、人物形象，，拓宽水墨画的题材范围。从事现代水墨画创作的画家在城市化进程中，敏锐地感受到时代的变迁及人们生活方式的变化，他们在创作过程中积极探寻新的思考方式和新的绘画语言。在此背景下，艺术家打破了传统绘画的程式化模式，拓展出具有个人风格语言，符合时代发展的水墨表达方式。这些艺术家从自身情感因素出发，或描绘都市的和谐平静，体现都市人对宁静与和平的向往；或从都市与都市人群的的喧闹拥挤及不和谐入手，着重体现对都市人群的荒诞境遇以及都市人畸形的生存状态的关注；或以看似不置褒贬的态度来来表现都市中的边缘人物，关注都市人的生存状态；或是从女性的视角及细腻的心理状态表现都市女性的个人生活状态等。这种运用多元艺术语言创作的都市水墨绘画，促进了水墨画的现代转型，有力地推动水墨画的发展。因此，研究都市水墨画对我国水墨艺术的发展具有重要意义。本文以都市题材水墨人物画的发展作为基点，论析都市题材水墨人物画的题材特征、形式语言，并对都市水墨画发展过程中存有的问题试做探讨，力争为水墨画的发展尽一份锦帛之力。另外，希望通过对都市题材水墨人物画的研究，能够对当下的生活方式与文化环境进行反思，为下一步的创作研究打下基础。本文共分四章，第一章概述都市题材水墨人物画，说明其定义、发展背景等，论证都市题材水墨人物画的发展将成为水墨画发展的趋势。都市题材水墨人物画是在传统水墨画的基础上继承发展而来的，因此本文第二章对都市题材水墨人物画和传统水墨人物画进行比较。第三章从都市题材水墨人物画的新视象、新语言出发，结合都市题材水墨人物画家个人案例着重分析都市题材水墨画在当代发展的不同风格和类型，论证其正朝着个性化、多元化的方向蓬勃发展。第四章结合自己的创作谈对都市题材水墨人物画的认识及思考。本文对都市题材水墨人物画进行梳理总结，丰富其内涵的同时，也希望都市题材水墨人物画受到更多的关注。
[Abstract]:Since the new trend of 85', modern ink has gradually become a climate. Modern ink painting from the expression of personal special feelings, more emphasis on the interaction with the times, life, so as to find a new point of growth for the development of ink painting. In this, a very important phenomenon is: the appearance of urban theme ink figure painting. Urban ink, as a branch of modern ink, is different from both traditional ink and realistic ink, in order to express the characteristics of modern urban life, figure image and broaden the scope of the subject matter of ink painting. In the process of urbanization, painters engaged in the creation of modern ink painting are keenly aware of the changes of the times and people's way of life. They actively explore new ways of thinking and new painting languages in the process of creation. In this context, the artist breaks the stylized mode of traditional painting, and develops a style of expression with personal language, in line with the development of the times. Starting from their own emotional factors, these artists either depict the harmony and tranquility of the city, reflecting their yearning for tranquility and peace, or starting with the bustle and disharmony between the city and the urban crowd. It mainly reflects the attention to the absurd circumstances of urban people and the abnormal living state of urban people, or to show the marginal characters in the city and pay close attention to the living state of urban people with a seemingly unflattering attitude. Or from the perspective of women and delicate state of mind to express the personal life of urban women and so on. This kind of urban ink painting, which is created with multiple artistic languages, promotes the modern transformation of ink painting and promotes the development of ink painting. Therefore, the study of urban ink painting is of great significance to the development of Chinese ink painting. Based on the development of urban water and ink figure painting, this paper analyzes the theme characteristics and formal language of urban water and ink figure painting, and tries to explore the problems existing in the development of urban ink painting. Strive for the development of ink painting to contribute to the development of brocade silk. In addition, it is hoped that through the study of urban water and ink figure painting, it can reflect on the current life style and cultural environment, and lay a foundation for the next creative research. This paper is divided into four chapters. The first chapter summarizes the city subject ink figure painting, explains its definition, development background and so on, demonstrates that the development of urban theme ink figure painting will become the trend of the development of ink painting. The city subject ink figure painting is inherited and developed on the basis of traditional ink painting, so the second chapter compares the city subject ink figure painting with the traditional ink figure painting. The third chapter analyzes the different styles and types of urban ink painting in the contemporary development from the perspective of new visual and new language, combined with the individual cases of urban ink and wash painters, and proves that it is moving towards individualization. The direction of diversification is booming. The fourth chapter discusses the understanding and thinking of urban ink figure painting combined with their own creation. This paper summarizes the urban theme of ink figure painting, enrich its connotation, but also hope that the city subject ink figure painting more attention.
【学位授予单位】：中南民族大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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