论中国书画艺术中的“狂”

发布时间：2018-07-01 08:20

本文选题：中国书画 + 狂　；参考：《青岛大学》2017年硕士论文

【摘要】：在中国书画艺术中,“狂”的表达方式之所以长久以来受到人们的喜爱与赞扬,其原因是多方面的。通过本文的论述,首先是对“狂”在中国书画艺术中存在和发展的合理性和渊源性做出更加深刻的解读,其次,通过以历史时期这样的一个时间线索,对狂的多样性做出系统和清晰的梳理。从而使中国书画艺术中“狂”的论述更加全面和立体化。本文中所论述的中国书画艺术中的“狂”,首先它所体现的最重要的精神特质就是“真”。既是指艺术家真情实感的抒发,也是指艺术家所具有的坚持真理、不拘于俗的道德品质。其次,对“真”的自由如实的表达是“狂”所体现的另一个重要的精神特质。从创作过程的角度讲,“狂”体现出的是一种全情投入的精神状态,是一种对艺术的迷狂,是艺术家的思考和情感在顷刻间的迸发,是一种“解衣磅礴”的创作状态。在中国书画艺术中“狂”的表现极其丰富,比如王羲之、王献之的自由狂逸,“颠张狂素”的豪迈恣意,“米颠、梁疯子”的尚意以及明清时期众多以狂怪风格为主的书画艺术家等。他们都可以被称为“狂”,但是又各有不同。这些不同不仅是指他们不尽相同的书画作品,同时也是艺术家不同的性情、修养、人生阅历的真实展现。书画作品体现人的情感意志,人又是社会的产物,那么无论是书画作品还是创作书画作品的人都必然与当时的社会历史相联系。因此,不管从社会到作用于人再到作用于作品,还是从作品到体现人再到体现社会,都有利于将“狂”的丰富性论述的更加清晰。
[Abstract]:In Chinese painting and calligraphy art, the expression of "crazy" has been loved and praised for a long time for many reasons. Through the discussion of this paper, first of all, the author makes a more profound interpretation of the rationality and origin of the existence and development of "Mad" in Chinese calligraphy and painting art, and secondly, through the historical period of such a time clue, Make a systematic and clear combing of the diversity of madness. In order to make the Chinese calligraphy and painting art, "crazy" discussion more comprehensive and three-dimensional. In this paper, the most important spiritual characteristic of Chinese calligraphy and painting art is "truth". It not only refers to the expression of the artist's true feelings, but also refers to the artist's adherence to truth and his moral character. Secondly, the free and truthful expression of "truth" is another important spiritual trait embodied in "madness". From the point of view of creative process, "Mad" embodies a spirit state of full emotional devotion, a kind of crazy art, a burst of thinking and emotion of the artist in an instant, and a state of creation of "overwhelming momentum". In Chinese calligraphy and painting art, the performance of "crazy" is extremely rich, such as Wang Xizhi, Wang Xianzhi's freedom crazy, "hyperbole" bold and wanton, "rice subversion," Liang Mad's still meaning and many calligraphy and painting artists with crazy style in Ming and Qing dynasties. They can all be called "crazy", but they are different. These differences not only refer to their different calligraphy and painting works, but also to the true display of artists' different temperament, cultivation and life experience. Calligraphy and painting works reflect the emotional will of people, and people are the product of society, so both calligraphy and painting works or the creation of painting and calligraphy works are bound to be connected with the social history at that time. Therefore, whether from the society to the role of people to the role of the work, or from the work to the embodiment of the human to reflect the society, are conducive to the "crazy" rich exposition more clearly.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J212

【参考文献】