自然的演变—对内蒙古版画题材与形式变化的一些思考

发布时间：2018-07-01 18:13

本文选题：内蒙古版画 + 题材　；参考：《内蒙古师范大学》2014年硕士论文

【摘要】：不同地域有着不同的文化特征,内蒙古也同样如此。内蒙古的版画创作依托于民族文化的滋养，取得了一些成绩。随着经济、文化的发展、国际间的交流日益密切，内蒙古的版画创作在受到现代文化艺术冲击的同时，，也给现代文化艺术注入了新鲜的血液。内蒙古版画的艺术题材和形式在民族性和地域性特征下不断吸收新的养分，走向更广阔的天地。内蒙古相当数量的版画艺术家，逐步由描绘自己对生活的感受转到对多种艺术语言的探究，在不丢掉“草原”这一基本内容的同时，也在追求艺术语言的个性化风格。现代文化艺术与传统文化相碰撞后，版画艺术怎样在立足于本民族的基础上，对多元的艺术元素吸纳、融合，以期达到艺术的创新，是一个新的课题。本文主要对内蒙古版画在艺术题材和形式上如何随时代的变迁而变化进行研究。
[Abstract]:Different regions have different cultural characteristics, so does Inner Mongolia. Inner Mongolia print creation relies on the national culture nourishment, has obtained some achievements. With the development of economy and culture, international communication is becoming more and more close. While the creation of prints in Inner Mongolia is impacted by modern culture and art, it also infuses fresh blood into modern culture and art. Under the characteristics of nationality and region, the art theme and form of Inner Mongolia printmaking continuously absorb new nutrients and move to a wider world. A considerable number of printmaking artists in Inner Mongolia have gradually changed from depicting their feelings of life to exploring various artistic languages, while not losing the basic content of "grassland", but also pursuing the individualized style of artistic language. After the collision between modern culture and traditional culture, it is a new subject that how to absorb and merge multiple artistic elements on the basis of our own nation in order to achieve artistic innovation. This article mainly studies how the art theme and form of Inner Mongolia printmaking change with the change of the times.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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