墨色的光影—从水墨画到水印版画

发布时间：2018-07-02 10:55

本文选题：水印版画 + 水墨画　；参考：《中国美术学院》2014年硕士论文

【摘要】：水墨画与水印版画有着颇为重要的历史渊源。从水印版画的出现之初,就和水墨画有着千丝万缕的联系。在古代水印版画发展进程中,水墨画对水印版画的影响非常明显,相反,在水墨画的发展过程中,水印版画对其所起的推动作用则微乎其微。水墨画作为传统文化的一部分,随着时代观念的转变,以及众多艺术家的不断创新,中国的水墨画实践经历了新写实水墨、现代水墨到后现代水墨的发展过程,理论方面的研究更是百家争鸣。与此同时,水印版画也经历了较瞩目的发展,从最初以复制为目的且依附于印刷插图、画谱的水印版画,到以民国时期的新兴木刻运动为契机的创作性水印版画,可以说,现代水印版画在短短的发展历程中很快的走在了艺术创作的前沿,成为了美术中的一种独立样式。随着人们思想的更新,水印版画的发展进入了一个全新的时期。现如今,水墨画的发展以传统文化为基础,用自己独特的方式,凸显了传统民族文化的意识。更为关键是,在很大程度上,水墨画对于我们的民族文化在与世界文化相融合的进程中,提供了有效的方法和途径。这些对十目前水印版画的发展现状,有着很大的借鉴意义与学习价值。笔者认为,与水墨画有众多相通元素的水印版画,可以更好地借助水墨的发展历程来为其自身的发展作参考,这不仅体现在艺术家对于意境、精神的把握,而且在绘画观念和题材上都可以借鉴和学习。从最基本的对点和线的讲究,到材料和技法上的创新运用,都值得做出尝试。
[Abstract]:Ink painting and watermarked printing have a rather important historical origin. From the beginning of the watermark print, and ink painting has inextricably linked. In the development process of ancient watermarked printmaking, the influence of Chinese ink painting on watermark printing is very obvious. On the contrary, in the development process of ink and wash painting, watermark print plays little role in promoting it. As a part of traditional culture, with the change of the concept of the times and the constant innovation of many artists, the practice of Chinese ink painting has experienced the development process of new realistic ink painting, modern ink painting to postmodern ink painting. Theoretical aspects of the study is a hundred schools of thought. At the same time, the watermarked printmaking has also experienced a more remarkable development, from the original aim of reproduction and dependence on the printing illustrations, the watermarked printmaking of the spectrum, to the creative watermarked printmaking, which took the opportunity of the emerging woodcut movement in the period of the Republic of China, it can be said that, Modern watermarked printmaking has been in the forefront of art creation and has become an independent style in art. With the renewal of people's thoughts, the development of watermark print has entered a new period. Nowadays, the development of Chinese ink painting is based on traditional culture, and highlights the consciousness of traditional national culture in its own unique way. More importantly, to a large extent, ink painting provides an effective way for our national culture to merge with the world culture. These are of great significance and learning value to the current development of watermark printmaking. The author believes that the watermarked printmaking, which has many interlinked elements with the ink painting, can better refer to its own development with the help of the development process of the ink and wash, which is not only reflected in the artist's grasp of the artistic conception and spirit. And in painting ideas and themes can be used for reference and learning. From the most basic point and line of stress, to materials and techniques of innovative use, are worth trying.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J217

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