装饰性绘画语言在内蒙古油画创作中的应用研究

发布时间：2018-07-03 00:11

本文选题：装饰性绘画语言 + 绘画语言特征　；参考：《内蒙古师范大学》2013年硕士论文

【摘要】：当代内蒙古许多画家在油画创作中不断探索着具有装饰趣味的油画。他们都曾经对外来及本土艺术进行深入研究、借鉴并使之融合，并以自己独特的方式运用着不同趋向的装饰性绘画语言，述说着画家内心的自我感受。尽管当代东西方文化交流日趋频繁，文化相互渗透，使民族的意识语言的界限有所淡化而模糊，但其作品的色彩语言所表现出的艺术灵魂不会变，所折射出的这个民族的时代精神不会变。我们应认识到现代不是传统的否定和断裂，现代艺术是传统艺术的延续和演变，努力发现民族的绘画艺术精髓，在创造既有传统又是现代的，既有油画精髓又具民族精神作品的努力过程中，将传统艺术与现代油画结合起来，将大众需求和文化品位结合起来，去探索有自己风格的作品。在一定程度上使用装饰性语言的油画绝不能等同于装饰画，否则就会变味跑调，不利于油画艺术的研究和发展。在绘画作品中适当注入装饰性因素，对油画的表现形式与意境是一种开拓，是有益的创新途径之一。内蒙古油画前途要靠内蒙古油画家对自身的民族文化精神的觉悟，自身的思考智慧与艰辛的探索才能获得。同时构建有益于民族文明进步的文化价值观，为之奋斗的人生观。我们要站在历史的高度和世界的宽度，在发扬本民族优秀传统文化和吸取外来文化的精华的创造中坚持自尊、自信、自强和自立的精神。促进当代内蒙古美术创作的繁荣，，创造具有鲜明的民族特色，饱满的时代精神和真诚的个性特征的内蒙古风格油画。内蒙古当代油画表现语言所传达出的地域文化内涵、民族情感、时代气息及多民族群体文化审美思想等诸多方面,都是值得我们关注和研究的。
[Abstract]:Many contemporary artists in Inner Mongolia have been exploring oil paintings with decorative taste in oil painting creation. They have studied foreign and native art deeply, used it for reference and combined it, and used the decorative painting language with different trends in their own unique way to describe the painter's inner feelings. Although the cultural exchanges between the East and the West are becoming more and more frequent and the cultures infiltrate each other, the boundaries of the national consciousness and language are diluted and blurred, but the artistic soul of the color language of his works will not change. The spirit of the times reflected in this nation will not change. We should realize that modern art is not the negation and rupture of tradition, modern art is the continuation and evolution of traditional art, and strive to discover the essence of the national painting art, which is both traditional and modern in creating, In the process of both the essence of oil painting and the work of national spirit, the combination of traditional art and modern oil painting, the combination of popular demand and cultural taste, to explore the work with its own style. To a certain extent, the use of decorative language oil painting can not be equated with decorative painting, otherwise it will change the tone, which is not conducive to the research and development of oil painting art. Properly injecting decorative factors into painting works is one of the beneficial innovative ways to develop the expression and artistic conception of oil painting. The future of Inner Mongolia oil painting depends on the inner Mongolia oil painters' awareness of their own national cultural spirit, their own thinking wisdom and hard exploration. At the same time, the construction of cultural values conducive to the progress of national civilization, fighting for the outlook on life. We should stand at the height of history and the width of the world, and persist in the spirit of self-esteem, self-confidence, self-improvement and self-reliance in the creation of carrying forward our nation's excellent traditional culture and absorbing the essence of foreign culture. To promote the prosperity of contemporary Inner Mongolia fine arts creation, to create a distinctive national characteristics, full of the spirit of the times and sincere personality characteristics of Inner Mongolia style oil painting. The regional cultural connotation, national emotion, the atmosphere of the times and the cultural aesthetic thoughts of multi-ethnic groups conveyed by the contemporary oil painting of Inner Mongolia are worthy of our attention and study.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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