论传统漆艺材料在现代架上绘画中的应用

发布时间：2018-07-05 11:12

本文选题：漆艺 + 材料　；参考：《山东大学》2014年硕士论文

【摘要】：以20世纪之初为分水岭的现代绘画,在今日无疑也始终是艺术领域的一个重要组成部分与研究内容。纵观现代绘画艺术,它呈现出形态多元化、艺术风格多样性、材料综合性等特点。现代架上绘画的概念也因手工艺的兴衰、机械化生产的蓬勃发展以及作为纯精神层面的不断拷问而被不断的做出诠释,与传统绘画比较而言,现代绘画所代表的审美准则也在这循环往复的拷问中、在看似清晰的界定中被逐渐模糊。现代,人们对绘画的审美需求也与时代的进步共同左右着现代绘画的发展。由于现代绘画欲摆脱传统绘画固有的视觉规律和空间概念,因此绘画材料作为一个非常重要的元素,逐渐的在当下现代绘画艺术中日益受到关注。本文将着重探讨如何将中国传统工艺美术材料——漆,应用到现代绘画当中。通过综合材料的运用与表现将传统漆艺与现代架上绘画结合,既利于传统漆艺的传承又可促进现代绘画对形式多元化的需求。此类作品既遗留了手工艺痕迹又可以在现代架上绘画中带来一股清新的气息,凸显了其独特的价值,又补充人情味和人文气。本文开篇以漆艺与现代架上绘画的基本构成要义为主,介绍了漆艺的材料、历史以及漆艺中材料语言的艺术特征等等,随后从现代架上绘画自20世纪以来发展的大潮流中,展开现代架上绘画对材料的包容性的探讨与论述。以上两点,旨在说明,对于现代艺术而言,相比形式、题材而言更为重要的可能是艺术的表现力。漆艺具有得天独厚的艺术表现力,它是可以融入到现代艺术发展的潮流中的。从物质基础看,漆艺的材料也适用于现代架上绘画。那么对于脱胎于传统漆艺的漆材料,它的表现力又是如何呢?我的论述观点集中在对漆材料的现代性研究上,深入剖析漆材料在绘画表现形式上的技法和肌理中的现代性。漆材料的现代性是更适宜艺术表达的媒介,我们有能力去掌控它,使之产生新精神。尤其是漆材料中丰富的技法与肌理表现,实际上也是现代艺术所最为关注的艺术表现力的问题。既然漆艺具有如此得天独厚,适用于现代艺术表现的“语汇”,漆艺术语言的现代蜕变就成为了一个不可绕过的话题,现代漆画正是漆艺术语言蜕变的有力证明。在漆画中我们看到了因才施艺,将材料本身的美感作为追求的最高境界。现代架上绘画与漆艺的平面形式,在艺术语言上是契合的,因此也具备了以漆艺的物质材料进行现代架上绘画精神探索的可能性。随着艺术的多元化,对艺术的表现追求不再仅仅是描摹现实,也将更加注重艺术家主观情感的表现。在漆艺与现代绘画的交集中,所探讨的即是漆艺在摆脱了种种约束之后所能与现代艺术形成的交集,既为漆艺发展提供了空间,也为现代艺术的架上形式提供了新的表现语言。
[Abstract]:The modern painting, which is divided by the beginning of the 20th century, is undoubtedly an important part and research content in the field of art. Throughout the modern painting art, it presents a variety of forms, artistic style diversity, material synthesis and other characteristics. The concept of modern frame painting has also been constantly interpreted because of the rise and fall of handicraft, the vigorous development of mechanized production and the constant torture as a pure spiritual aspect, compared with the traditional painting. The aesthetic criterion represented by modern painting is gradually blurred in this cycle of torture and in the seemingly clear definition. Modern, people's aesthetic demand for painting and the progress of the times together affect the development of modern painting. Because the modern painting wants to get rid of the traditional painting inherent visual law and the space concept, therefore the painting material as a very important element, gradually receives the attention day by day in the present modern painting art. This article will focus on how to apply Chinese traditional arts and crafts material-lacquer to modern painting. The combination of traditional lacquer art and modern frame painting through the application and expression of comprehensive materials is beneficial to the inheritance of traditional lacquer art and the promotion of modern painting's demand for diversified forms. This kind of work not only leaves the handicraft trace but also can bring a fresh breath in the painting on the modern frame, which highlights its unique value, and complements the humanism and humanism. This paper begins with the basic constitution of lacquer art and modern frame painting, introduces the material, history and artistic features of material language in lacquer art, and then begins with the great trend of modern frame painting since the 20th century. The discussion and discussion on the inclusive of modern frame painting to materials. The purpose of the above two points is to show that the expression of art is more important to modern art than to form. Lacquer art has unique artistic expression, it can be integrated into the trend of modern art development. From the material basis, lacquer materials are also applicable to modern frame painting. What about the expressiveness of lacquer materials derived from traditional lacquer art? My point of view is focused on the study of the modernity of lacquer materials, and deeply analyzes the techniques and texture modernity of lacquer materials in the form of painting. The modernity of lacquer material is a more suitable medium for artistic expression, and we have the ability to control it and create a new spirit. Especially the rich technique and texture expression in lacquer material is also the most concerned problem of art expression in modern art. Since lacquer art is so blessed and suitable for the expression of modern art, the modern transformation of lacquer art language has become an unavoidable topic, and modern lacquer painting is a powerful proof of the metamorphosis of lacquer art language. In lacquer painting, we see the art of talent, the aesthetic sense of the material itself as the pursuit of the highest realm. The flat form of modern frame painting and lacquer art is consistent in artistic language, so it is possible to explore the spirit of modern frame painting with the material materials of lacquer art. With the diversification of art, the pursuit of art is not only to describe reality, but also to pay more attention to the expression of artist's subjective emotion. In the intersection of lacquer art and modern painting, what is discussed is the intersection between lacquer art and modern art after getting rid of all kinds of constraints, which not only provides space for the development of lacquer art, but also provides a new expression language for the frame form of modern art.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】