社会主义丰收田是如何画出的——新山水画代表作《常熟田》诞生的情境分析

发布时间：2018-07-05 14:02

  本文选题：中国画改造 + 现实主义　； 参考：《美术研究》2017年05期

【摘要】：本文结合《常熟田》诞生的情境,如钱松]R先生的学术背景、中华人民共和国成立后相关部门对文艺创作的具体要求、《人民美术》(后为《美术》)组织的关于中国画改造的讨论、全国美协与各地美协围绕中国画改造而组织的写生与创作活动,以及钱松]R先生的具体改革方案等等分析了《常熟田》在当时取得成功,并成为新山水画代表作的原因。
[Abstract]:Based on the situation of the birth of Changshu Field, such as Qian Song's academic background, the specific requirements of the relevant departments for literary and artistic creation after the founding of the people's Republic of China, and the discussion on the transformation of Chinese painting organized by the people's Fine Arts (later "Fine Arts"), The sketch and creative activities organized by the National Art Association and the local art associations around the transformation of Chinese painting, as well as the concrete reform plan of Mr. Qian Song] R, and so on, analyzed the reasons why Changshu Tian was successful at that time and became the representative work of the new landscape painting.
【作者单位】： 武汉合美术馆;
【分类号】：J212
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本文编号：2100452