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传统泥底壁画泥底实验与制作

发布时间:2018-07-12 17:01

  本文选题:壁画 + 泥底 ; 参考:《天津美术学院》2017年硕士论文


【摘要】:泥底壁画作为古老的传统手艺形式艺术品,在当今时代利用率比较低,抛开客观原因说,泥底壁画确实存在自己的局限性。一是保存问题,虽然泥底壁画自身耐久度很高,可千年不腐,但毕竟都是泥土动植物胶水混合物,人为运输、转手、移动等都会对其造成不同程度的损伤,慢慢人为的破坏力量是最大的,所以亟待解决的问题就是如何使其效果不变的情况下,不断发现更新其制作材料,使其有更好的且易保存的材料制作泥底壁画;二是矿物颜色的替代品问题,古代是没有工业产品的,矿物颜色无疑是壁画保存千年最重要的因素之一,如今矿物颜色价格昂贵且属于不可再生资源,我们依然需要工业文明帮我们解决这样的问题,一旦能有好的处理方法,降低成本,减少绘制难度,相信会对泥底壁画的发展有很好的促进工作。我们无论古代创作者的条件,就我们现在的研究条件而言,我们有充分的时间和机会,做出更多的尝试与试验,来解决这样的问题。几千年的壁画史也应该随着时代进步而获得新生。我先所做的一点点,就是想从古人对壁画的总结中,寻找到我们依旧该学习延续的经典,同时利用现代新材料与技术,来补充和解决古法中未能解决的问题。
[Abstract]:As an ancient art form of traditional art, the utilization rate of mud bottom murals is relatively low in the present age. Put aside the objective reasons, the mud bottom murals do have their own limitations. One is the preservation problem. Although the mud bottom murals have a high durability, but they are not rotten for a thousand years, they are after all a mixture of soil, animal and plant glue. Artificial transportation, transfer, and movement will all cause varying degrees of damage to the mural. Slowly artificial destruction is the greatest force, so the problem to be solved is how to make its effect unchanged, constantly find and update its production materials, so that it has better and easier preservation of materials to make mud murals; Second, the question of alternatives to mineral colors. There were no industrial products in ancient times. Mineral colors were undoubtedly one of the most important factors in the preservation of murals for millennia. Nowadays, mineral colors are expensive and are non-renewable resources. We still need industrial civilization to help us solve this problem. Once we have a good treatment method, reduce the cost, reduce the difficulty of drawing, I believe it will promote the development of murals in mud bottom. Regardless of the conditions of ancient creators, we have ample time and opportunity to try and experiment to solve such problems, as far as our current research conditions are concerned. The history of murals for thousands of years should also be reborn with the progress of the times. The first thing I did was to find out from the ancients' summary of murals that we should still learn to continue the classics, and at the same time to use modern new materials and techniques to supplement and solve the unsolved problems in the ancient method.
【学位授予单位】:天津美术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J218.6

【参考文献】

相关期刊论文 前3条

1 马强;敦煌壁画和湿壁画的材料技法之比较[J];敦煌研究;2005年03期

2 郭宏;古代干壁画与湿壁画的鉴定[J];中原文物;2004年02期

3 刘凌沧;传统壁画的制作和技法[J];美术研究;1984年01期



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