论唐代仕女画的形态美

发布时间：2018-07-12 19:53

本文选题：唐代 + 仕女画　；参考：《中国美术学院》2014年硕士论文

【摘要】：唐代是人物画发展的黄金时代,其中仕女画在中国古代绘画发展史中占有重要地位。仕女画中的女性形象具有曲眉丰颊的特点,体态上则丰腴婀娜,这与社会的开放、女性地位提高有密不可分的关系。开放的文化带来新的思想,从而减轻了儒家思想对女性的禁锢,从而激发仕女画家对仕女画内容的持续性探索以及对于技法的尝试。本文将从具体画作着手,分析不同画作中对于仕女形态的处理手法以及不同作者的个人风格,并从实践角度出发,探求其中的绘画技法,来论述其别开生面之处及其美学价值。
[Abstract]:The Tang Dynasty was the golden age of the development of figure painting, in which the painting of ladies played an important role in the history of ancient Chinese painting. The female figure in the female painting is characterized by quombulation and graceful posture, which is closely related to the opening of society and the advancement of female status. The open culture brings new ideas, which lightens the imprisonment of women by Confucianism, and stimulates the continuous exploration of the contents of the paintings and the attempts at techniques by female painters. This article will start from the concrete painting, analyzes the different painting to the lady shape processing technique as well as the different author's personal style, and from the practical angle, seeks the painting technique, discusses its unique aspect and its esthetics value.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212

【参考文献】