论南宋李迪及其《枫鹰雉鸡图》
发布时间：2018-07-13 11:25
【摘要】：宋明理学,批判地吸收了佛学玄学的思维方式以及道家关于宇宙生成、万物化生的理论,思考人在宇宙间的位置和意义,探讨人与人、人与自然、人与社会的关系,逐步形成中华民族文化心理。宋明理学也反映了宋时期的忧患意识、承担精神、理性主义和求真务实的人文追求。 继五代之后,北宋设立“翰林图画院”,北宋继承了五代西蜀和南唐的旧制,建国之初,便在宫廷里设立翰林书画院,对宋代绘画的发展起到积极的推动作用,也培养和教育了大批的绘画人才。这个时期的花鸟画,“黄荃富贵,徐熙野逸”逐渐成为此时期花鸟绘画的两大“主流”。花鸟画发展至南宋,在宋理学的进一步完善和形成完整体系的同时,也逐渐由“黄荃富贵,徐熙野逸”两大风格,向更为丰富,更为精致的方向发展。这对后世的绘画,尤其是花鸟画的发展很大的推动作用。 本论文意在追寻阐述宋代,尤其是南宋主流社会思想：“理”和“气”的观念在宋代花鸟花中的体现。着重以南宋花鸟画家李迪及其代表作品《枫鹰雉鸡图》为主要研究对象、研究在宋代花鸟花中,从构图、设色等方面如何体现了“理”学的观念,以及二者之间的关系。
[Abstract]:Song and Ming Neo Confucianism critically absorbed the thinking mode of metaphysics of Buddhism, the theory of the Daoism, the theory of the creation of the universe, the creation of all things, the position and significance of human beings in the universe, the relationship between man and man, man and nature, the relationship between man and society, and the gradual formation of the Chinese national culture psychology. Song and Ming Neo Confucianism also reflected the consciousness of suffering in the Song Dynasty and the essence of the Song Dynasty. God, rationalism and the pursuit of truth and pragmatism.
After the five generation, the Northern Song Dynasty set up "the Academy of calligraphy and painting" in the Northern Song Dynasty. The Northern Song Dynasty inherited the old system of the Five Dynasties of Western Shu and the Southern Tang Dynasty. At the beginning of the founding of the people's Republic, he set up a Calligraphy Academy in the palace, which played an active role in promoting the development of the painting of the Song Dynasty, and trained and educated a large number of painting talents. The flower and bird painting of this period, "Huang Quan rich and precious, Xu Xiye Yi" Gradually became the two main "mainstream" of the flower and bird painting in this period. The flower and bird painting developed to the Southern Song Dynasty. At the same time, in the further perfection and the formation of the complete system of the Song Dynasty, the flower and bird painting gradually developed from the two styles of "Huang Tsuen rich and Xu Xiye Yi" to a more rich and more delicate direction. This has developed a great deal of future generations of painting, especially the flower and bird painting. Push the effect.
This paper aims to find out the embodiment of the idea of "Li" and "Qi" in the Song Dynasty, especially the mainstream social thought of the Southern Song Dynasty in the Song Dynasty, focusing on the main research object of the Southern Song Dynasty flower and bird painter Li Di and his representative works "Maple hawk pheasant", and how to reflect the "reason" from the composition and color of the flowers and birds in the Song Dynasty. The concept of learning and the relationship between the two.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
本文编号：2119191
[Abstract]:Song and Ming Neo Confucianism critically absorbed the thinking mode of metaphysics of Buddhism, the theory of the Daoism, the theory of the creation of the universe, the creation of all things, the position and significance of human beings in the universe, the relationship between man and man, man and nature, the relationship between man and society, and the gradual formation of the Chinese national culture psychology. Song and Ming Neo Confucianism also reflected the consciousness of suffering in the Song Dynasty and the essence of the Song Dynasty. God, rationalism and the pursuit of truth and pragmatism.
After the five generation, the Northern Song Dynasty set up "the Academy of calligraphy and painting" in the Northern Song Dynasty. The Northern Song Dynasty inherited the old system of the Five Dynasties of Western Shu and the Southern Tang Dynasty. At the beginning of the founding of the people's Republic, he set up a Calligraphy Academy in the palace, which played an active role in promoting the development of the painting of the Song Dynasty, and trained and educated a large number of painting talents. The flower and bird painting of this period, "Huang Quan rich and precious, Xu Xiye Yi" Gradually became the two main "mainstream" of the flower and bird painting in this period. The flower and bird painting developed to the Southern Song Dynasty. At the same time, in the further perfection and the formation of the complete system of the Song Dynasty, the flower and bird painting gradually developed from the two styles of "Huang Tsuen rich and Xu Xiye Yi" to a more rich and more delicate direction. This has developed a great deal of future generations of painting, especially the flower and bird painting. Push the effect.
This paper aims to find out the embodiment of the idea of "Li" and "Qi" in the Song Dynasty, especially the mainstream social thought of the Southern Song Dynasty in the Song Dynasty, focusing on the main research object of the Southern Song Dynasty flower and bird painter Li Di and his representative works "Maple hawk pheasant", and how to reflect the "reason" from the composition and color of the flowers and birds in the Song Dynasty. The concept of learning and the relationship between the two.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J212
【参考文献】
相关期刊论文 前2条
1 余辉;南宋画院佚史杂考二题[J];美术观察;1996年09期
2 姚青华;靳曦;;南宋院体山水画中的文人意趣[J];美与时代(下半月);2009年09期
，本文编号：2119191
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