从“照片造型”谈中国人物画当下的问题
[Abstract]:In today's exhibition, there are many phenomena of "photo modeling" in Chinese figure painting, one by one "photo painting" like a photo filled the whole exhibition hall. "Photographic modelling" is that some painters now use the "image" of the photograph to describe the shape, regard the picture as the aim, draw passively, for the sake of the picture effect rather than the content, or input the photo directly into the computer, type the composition of the picture and pop the special effect, and then enlarge the output. Make a semi-finished product and do some effects on it. "Photo modeling" seems to save time and effort, but the middle process of painting is gone, the difficulty of painting is bypassed, and there is a direct purpose, to a final effect, no processing of the image of the picture, no aesthetic feeling of painting. Modeling is an important part of painting. It is not only a technology, but also a modeling consciousness. This paper only aims at the phenomenon of "photo modeling". This paper deeply analyzes the current problems of Chinese figure painting and expounds the understanding of Chinese figure painting modeling from the perspective of painting. The first chapter analyzes the phenomenon of "photo modeling" and its causes, mainly analyzes the problems and drawbacks of Chinese figure painting. The second chapter combines the traditional painting modeling of the East and the West, discusses the modeling of the painting through examples, that is, what is the modeling in the end, how to treat the "photo modeling" the third chapter analyzes the inspiration to the Chinese figure painting "the photo modelling". Photographs should be used as materials in creation. Finally, it is concluded that "photo modeling" is not the modeling in painting.
【学位授予单位】:鲁迅美术学院
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212
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