当下中国水彩艺术的审美取向

发布时间：2018-07-14 21:57

【摘要】：对于美感(美)的理解与判断,从来不是一成不变的,都会因为历史的积淀、社会观念、民族特色、时代潮流的变化而改变。水彩艺术语言是轻快、明亮和流淌的。水彩的偶然与瞬间性,使其创作出的画面效果同中国画的意境美和写意手法所表现出来的美感相似,因此在中国受到艺术家及大众的关注和喜爱。当今网络信息时代,科技信息推陈出新和交流全球化,观念思维的转变促使人们形成了不同的价值观,中国水彩作品创作正处于试探性多元化个性化的发展过程之中。艺术家对水彩作品中美的追求也都有所不同,因此当下水彩作品中既有中国传统的民族特性,也有前卫的时代感。本文通过对水彩作品的分析来了解当下中国水彩艺术的审美价值。有关美的研究方向,无论是侧重形式的方向,还是重情感方向;无论是水彩艺术作品中的形式美,还是审美主体的主观心态,每个人都有各自独特的理解和个性的诠释。虽然现实世界中的“美”是美的事物的共同本质,艺术家们通过自己的感受、直觉及经验、运用水彩这种艺术形式得以表达出他们思想和审美价值观。观者也在无时无刻不被水彩艺术作品中的观念情感和意境所感染。水彩作品的观者在这种审美过程中与艺术家中情感得以传递,相互影响,“万物并育而不相害,万道并行而不相悖”。在这种互动中彰显出当下中国水彩艺术个性及多元化审美的取向。
[Abstract]:The understanding and judgment of beauty are never fixed, they will be changed by the accumulation of history, the social concept, the national characteristics and the trend of the times. Watercolor art language is light, bright and flowing. The accidental and instantaneous nature of watercolor makes its picture effect similar to the artistic conception beauty and freehand brushwork of Chinese painting, so it has been paid attention and loved by artists and the public in China. In the age of network information, with the innovation of scientific and technological information and the globalization of communication, the change of the concept of thinking urges people to form different values, and the creation of watercolor works in China is in the process of exploring diversified and individualized development. Artists have different pursuit of beauty in watercolor works. Therefore, watercolor works have both Chinese traditional national characteristics and avant-garde sense of the times. This paper analyzes watercolor works to understand the aesthetic value of Chinese watercolor art. The research direction of beauty, whether it emphasizes the direction of form or the direction of emotion; whether it is the beauty of form in watercolor art works, or the subjective mentality of aesthetic subject, everyone has their own unique understanding and individual interpretation. Although "beauty" in the real world is the common essence of beautiful things, artists can express their thoughts and aesthetic values through their own feelings, intuition and experience. The viewer is also always affected by the concept and artistic conception of watercolor art works. The audience of watercolor works in this aesthetic process and the artist emotion can be transmitted, mutual influence, "all things together and not harm, all parallel and not contradictory." In this interaction, the current Chinese watercolor art personality and diversified aesthetic orientation.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J215

【相似文献】