工笔人物画中装饰性绘画语言探究

发布时间：2018-07-14 22:33

【摘要】：工笔人物画源远流长,从战国时期的帛画到两宋时期的工笔人物画,见证了中国传统工笔人物画的形成和发展。受古代哲学思想的影响,中国传统人物画崇尚“气韵生动”、“以形写神”等绘画美学思想,因而在工笔人物画中多通过意象性的造型、富有韵律感的线条、平面化的构图以及主观性的色彩等等来表现,而这些恰恰与装饰绘画的特点相吻合。本文正是以工笔人物画中的装饰性绘画语言为中心展开论述的,文章主体分为三个部分,首先,阐述工笔人物画中装饰性绘画语言的存在性。其次,分析它在传统工笔人物画中具体体现在哪些方面,以及在当代工笔人物画中有了哪些新的运用。最后,表明对于装饰性绘画语言传承与创新的认识。
[Abstract]:The fine brushwork figure painting has a long history, from the silk painting in the warring States period to the meticulous figure painting in the Song Dynasty, it witnessed the formation and development of the Chinese traditional fine brushwork figure painting. Influenced by ancient philosophy, Chinese traditional figure painting advocates "vivid charm", "writing spirit with shape" and other painting aesthetic thoughts. Flat composition and subjective color, and so on, and these are exactly in line with the characteristics of decorative painting. This paper focuses on the decorative painting language in the meticulous figure painting. The main body of the article is divided into three parts. Firstly, the existence of decorative painting language in the meticulous figure painting is expounded. Secondly, it analyzes which aspects it embodies in the traditional meticulous figure painting, and what new application it has in the contemporary meticulous figure painting. Finally, it shows the understanding of inheritance and innovation of decorative painting language.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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