缔造唯我的奇异时空—愈晓夫油画语言解读
发布时间：2018-07-16 23:08
【摘要】：俞晓夫作为中国油画界经历过伤痕艺术，乡土现实主义，新古典主义，新生代，和非架上绘画“三朝元老”式的人物，在中国油画界特别是上海油画界都占有举足轻重的地位。当架上绘画在现代艺术的质疑、挑战下，患了失语症，当大多数的艺术家因种种原因而对具象绘画失去了耐心时，许多曾经叱咤于国内美术界的风云人物也渐渐失去了革命目标，作品的兴奋度和锐利性随即逝去。不少“豪杰”在中国文化激烈的转型期弃暗投明，改换门庭。 大多数人在文化的流变过程中，心安理得的降伏在“市场终结”的归宿里。而俞晓夫始终坚持着架上绘画路线，他的油画作品不但没有受阻而且盘活了。这要归结于他那独特的油画语言，他那既写实又意象的画面和锐利而又洒脱的笔触，既丰富深厚的内涵，又有深邃飘逸的境界，那种幽默感，神经质，苦涩味，以及中西文化的涵养，尽在画面图画的构成之中。 从五六十年代开始，中国画坛形式纷呈，新人辈出，俞晓夫正是在这个历史时期完成着自己架上绘画那荒诞，遐远的梦，他是一个面对着时代不肯背过脸去的人，他继续举起手，向那段经典文化致敬。他站在写实的阵地，关注现代艺术，揣摩着其内在的真谛。本文借助于俞晓夫大量的油画作品，，从客观因素（第一章），外在因素（第二章），内在因素（第三章），深入详细的分析他的个人独特的油画语言。
[Abstract]:Yu Xiaofu , as the Chinese oil painting circle , has experienced the characters of " Three Pilgrims " in China ' s oil painting circles , especially in Shanghai oil painting circles . When most of the artists have lost patience with painting in modern art , many of the artists who have been chimed at the national art world have lost their revolutionary goals , and the excitement and sharpness of the works have disappeared . Many of the " heroes " have abstained in the fierce transformation of China ' s culture and changed their courts .
In the course of the cultural change , most people are in the end of the market . Yu Xiaofu always insists on the painting line on the shelf , and his paintings are not only hindered and coiled . This is to be attributed to his unique oil painting language , which not only has rich connotation , but also has a deep and elegant state , the sense of humor , nervousness , bitter and astringent taste , and the cultural connotation of Chinese and Western culture , as well as the composition of picture drawing .
From the 1950s to the beginning of the 1950 ' s , the form of Chinese painting circles was in the form of a new generation . Yu Xiaofu was a man who had finished painting on his shelf in this historical period . He continued to raise his hand and pay tribute to the classical culture . He stood in a realistic position to pay tribute to the classical culture . By the help of Yu Xiaofu ' s extensive oil painting works , he stood by the objective factors ( chapter I ) , external factors ( chapter II ) and internal factors ( chapter 3 ) , and analyzed his personal unique oil painting language in depth .
【学位授予单位】：海南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
本文编号：2127972
[Abstract]:Yu Xiaofu , as the Chinese oil painting circle , has experienced the characters of " Three Pilgrims " in China ' s oil painting circles , especially in Shanghai oil painting circles . When most of the artists have lost patience with painting in modern art , many of the artists who have been chimed at the national art world have lost their revolutionary goals , and the excitement and sharpness of the works have disappeared . Many of the " heroes " have abstained in the fierce transformation of China ' s culture and changed their courts .
In the course of the cultural change , most people are in the end of the market . Yu Xiaofu always insists on the painting line on the shelf , and his paintings are not only hindered and coiled . This is to be attributed to his unique oil painting language , which not only has rich connotation , but also has a deep and elegant state , the sense of humor , nervousness , bitter and astringent taste , and the cultural connotation of Chinese and Western culture , as well as the composition of picture drawing .
From the 1950s to the beginning of the 1950 ' s , the form of Chinese painting circles was in the form of a new generation . Yu Xiaofu was a man who had finished painting on his shelf in this historical period . He continued to raise his hand and pay tribute to the classical culture . He stood in a realistic position to pay tribute to the classical culture . By the help of Yu Xiaofu ' s extensive oil painting works , he stood by the objective factors ( chapter I ) , external factors ( chapter II ) and internal factors ( chapter 3 ) , and analyzed his personal unique oil painting language in depth .
【学位授予单位】：海南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213
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