中国古代书画中的半字编号与明代勘合制
发布时间：2018-07-17 02:48
【摘要】：半字编号是中国古代书画上的一种特殊编号,其书写位置与笔迹相对统一,王耀庭先生认为可能是查抄严嵩书画时留下的“骑缝籍记挂号”,还有一些学者认为是明代内府书画编号。但从籍没严氏书画的程序和籍官簿的登记情况,以及山东朱檀墓出土的明代内府书画编号看,半字编号很难与“籍记挂号”和内府编号产生联系。现存传世书画中的半字编号很可能是仿明代圣旨中的半字勘合编号,这些编号不符合明代半印勘合制,不具有判断递藏链的鉴定学意义。
[Abstract]:The half-character number is a special number on ancient Chinese calligraphy and painting. Its writing position and handwriting are relatively unified. Mr. Wang Yaoting thinks it may be the "hanging number" left by the painting and calligraphy of Yan Song. Some scholars believe that the number of calligraphy and painting in the Ming Dynasty. However, from the procedures of calligraphy and painting and the registration of official books, and the number of calligraphy and painting in the Ming Dynasty unearthed from the tomb of Zhu Tan in Shandong Province, it is very difficult for the half-character number to be related to the number of the book attached to the book and the number of the inner government. It is very possible that the number of half character in the present handed down calligraphy and painting is a copy of the number of half character in the imperial decree of the Ming Dynasty. These numbers do not accord with the system of half India in the Ming Dynasty, and have no significance in judging the identification of the chain of collection.
【作者单位】： 华东师范大学艺术研究所;
【分类号】：J209
，
本文编号：2128674
[Abstract]:The half-character number is a special number on ancient Chinese calligraphy and painting. Its writing position and handwriting are relatively unified. Mr. Wang Yaoting thinks it may be the "hanging number" left by the painting and calligraphy of Yan Song. Some scholars believe that the number of calligraphy and painting in the Ming Dynasty. However, from the procedures of calligraphy and painting and the registration of official books, and the number of calligraphy and painting in the Ming Dynasty unearthed from the tomb of Zhu Tan in Shandong Province, it is very difficult for the half-character number to be related to the number of the book attached to the book and the number of the inner government. It is very possible that the number of half character in the present handed down calligraphy and painting is a copy of the number of half character in the imperial decree of the Ming Dynasty. These numbers do not accord with the system of half India in the Ming Dynasty, and have no significance in judging the identification of the chain of collection.
【作者单位】： 华东师范大学艺术研究所;
【分类号】：J209
，
本文编号：2128674
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2128674.html
